Designer Josh Epstein shares why the realistic tungsten & evocative colors produced by Rosco’s Miro Cube 4CA makes it an excellent LED footlight solution.
Lighting Designer Don Darnutzer used a combination of handmade lighting masks & Rosco patterns to create mountainous gobo projections for a production of “Carmen.”
Lighting designer Declan Randall describes how he used color to create the past and present worlds of Nelson Mandela’s ex-wife in “Winnie: The Opera.”
A look into the lighting choices of LD Franco Marri for a production of Richard Wagner’s “Tannhäuser,” which opened the 2016 Opera Festival at the National Centre for the Performing Arts in Beijing.
Rosco’s Margie Heymann remembers the work of her friend Patrick Latronica and provides several examples of his “bold, assured and original use of color.”
Lighting designer Alessandro Carletti used color to express the psychological mood of the characters in Teatro San Carlo’s production of “The Abduction from the Serraglio.” See his colour palette and learn why he chose the colours that he did.