While designing a one-man show, LD Jimmy Lawlor determined that he needed to make the venue’s LED Par lights more versatile. That’s when he discovered Rosco’s OPTI-SCULPT beam shaping filters.
When Lighting Designer Matthew Grenier helped his old high school upgrade to LEDs, he struggled with coverage issues. Rosco’s OPTI-SCULPT Filters enabled him to shape the beams to fit the space.
Scenic and Lighting Designer Paul Yeates created a “UV-blueprint” scenic effect using a combination of Rosco UV scenic paint and Rosco UV LED fixtures.
Lighting Designer Cory Pattak designed a pair of custom glass gobos for a production of “1776.” Those two gobos are now available to everyone because we recently added them to our library of standard gobos.
Acclaimed Broadway Lighting Designer Donald Holder shares his collaborative experience bringing “Anastasia” to life on Broadway.
Lighting Designer Jane Cox shares her thoughts on “Color and Light,” as well as a few of her lighting techniques after working on “Sunday in the Park with George” at the Guthrie Theater.
Stan Miller, the owner of Rosco, talks about how his personal relationship with the biggest names in the lighting profession resulted in some of the most popular Rosco Color and Diffusion Filters.
Lighting Designer Jimmy Lawlor shares the vibrant sunrise and sunset color palettes he used in his design for a production of “Picnic” at James Madison University.
Rosco’s own Matt Pagliaro tells how he used Miro Cube 4C units to enhance his rock and roll lighting design for a community theatre production of “Rock of Ages.”
Rosco’s Margie Heymann shares her memories about legendary lighting designer Tharon Musser and the impact she had on stage lighting and on Rosco.