Lighting Designer and Rosco Ambassador Trey Brazeal used Rosco Pica Cubes as the footlights for a production of Little Shop of Horrors.
Tag Archives: lighting design for theatre
Miro Cube® 4CA – A Flexible Footlight Solution
Designer Josh Epstein shares why the realistic tungsten & evocative colors produced by Rosco’s Miro Cube 4CA makes it an excellent LED footlight solution.
How To Create Mountainous Scenery With Rosco Gobo Projections
Lighting Designer Don Darnutzer used a combination of handmade lighting masks & Rosco patterns to create mountainous gobo projections for a production of “Carmen.”
Storaro Colors Heighten The Passion In The Wild Party
Lighting Designer Christina Watanabe describes how she created passion on stage for a production of “The Wild Party” by using Rosco’s vivid Storaro colors.
Green Lighting Three Ways For “Houseplant”
Lighting Designer Cha See describes three Rosco solutions she used to create green light in her design for a NYTW production of the play “Houseplant.”
Mike Baldassari Shares The Origin Story Of R381 – His Namesake Blue
Lighting Designer Mike Baldassari describes how he worked with Rosco to create R381 Baldassari Blue in order to solve a common lighting design issue.
Multiply Your Specials With The Rosco I-Cue™
Lighting Designer Edward Hansen explains why the Rosco I-Cue Moving Mirror is an “incredibly versatile tool” – especially for venues with a limited number of light fixtures and dimmers.
How The Rosco Braq Cube® Became The Footlight Of Hadestown
Lighting Designer Bradley King explains why and how he chose the Rosco Braq Cube 4C as the footlights in his his Tony Award®-winning lighting design for the hit Broadway musical “Hadestown.”
Finding Color Inspiration With The Rosco Color Of The Week
Lighting Designer Robinson Wilson allows the Rosco Color of the Week posts he sees on our Facebook page to inspire him to try new colors and color combinations in his work.
Shape The Light To Fit Your Stage With Rosco OPTI-SCULPT™ Filters
While designing a one-man show, LD Jimmy Lawlor determined that he needed to make the venue’s LED Par lights more versatile. That’s when he discovered Rosco’s OPTI-SCULPT beam shaping filters.