Acclaimed Broadway Lighting Designer Donald Holder shares his collaborative experience bringing “Anastasia” to life on Broadway.
Lighting Designer Jane Cox shares her thoughts on “Color and Light,” as well as a few of her lighting techniques after working on “Sunday in the Park with George” at the Guthrie Theater.
Stan Miller, the owner of Rosco, talks about how his personal relationship with the biggest names in the lighting profession resulted in some of the most popular Rosco Color and Diffusion Filters.
Lighting Designer Jimmy Lawlor shares the vibrant sunrise and sunset color palettes he used in his design for a production of “Picnic” at James Madison University.
Rosco’s own Matt Pagliaro tells how he used Miro Cube 4C units to enhance his rock and roll lighting design for a community theatre production of “Rock of Ages.”
Rosco’s Margie Heymann shares her memories about legendary lighting designer Tharon Musser and the impact she had on stage lighting and on Rosco.
A lighthearted, photographic journey from lighting designer Steve Woods who traveled to Paris, along with his trusty roll of gel sheets, to light a show.
Lighting designer Declan Randall describes how he used color to create the past and present worlds of Nelson Mandela’s ex-wife in “Winnie: The Opera.”
Lighting designer Zach Burgess describes how he was able to use Roscolux color filters to bring the magical world of Narnia to life for a production of “The Lion, the Witch and the Wardrobe.”
Lighting designer Jordan Green created engaging lighting effects for the musical “Dzsungel Könyve” (The Jungle Book) using gels, gobos and a little fog.