Dolce&Gabbana wanted “the world’s best lighting” for their changing rooms. Working with the lighting design firm, Mindseye, they chose the Rosco Silk 110 – a light engineered for cinematographers.
Designers at Lightswitch used several Rosco X-Effects LED Projectors to create realistic, simulated water effects that fully immerse the visitors inside a virtual aquarium.
Lighting Designer Cory Pattak designed a pair of custom glass gobos for a production of “1776.” Those two gobos are now available to everyone because we recently added them to our library of standard gobos.
Lighting Designer, Al Crawford, designed a custom gobo for a gala he was designing. That pattern is now a part of the Rosco gobo library. Al shares the inspiration for his Crawford Leaf gobo design.
The team at ACTLD transformed Strasbourg’s historic Place du Château into an immersive visual experience using a combination of projection mapping and hundreds of projected B&W glass gobos.
Lighting Designer Jane Cox shares her thoughts on “Color and Light,” as well as a few of her lighting techniques after working on “Sunday in the Park with George” at the Guthrie Theater.
Lighting Designer Jimmy Lawlor shares the vibrant sunrise and sunset color palettes he used in his design for a production of “Picnic” at James Madison University.
Lighting Designer Micha Margalit used Rosco Custom Glass Gobos inside our Image Spot LED Projector to display scenes of ancient daily life directly onto the archaeological ruins inside Israel’s Bet She’an National Park.
The Museum of Islamic Art in Doha, Qatar used Rosco Image Spot LED Gobo Projectors to project motifs inspired by ancient Islamic dynasties inside a recent exhibit.
Acclaimed lighting designer Susan Hamburger describes five different color-techniques she employs to enhance her designs for dance productions.