Lighting Designer Christina Watanabe describes how she created passion on stage for a production of “The Wild Party” by using Rosco’s vivid Storaro colors.
As a part of their effort to improve the nighttime landscape of Ciudad Rodrigo in Spain, designers used Image Spots and customized gobos to accentuate the Gothic details on the city’s Palacio de Montarco.
Lighting Designer Bradley King explains why and how he chose the Rosco Braq Cube 4C as the footlights in his his Tony Award®-winning lighting design for the hit Broadway musical “Hadestown.”
While designing a one-man show, LD Jimmy Lawlor determined that he needed to make the venue’s LED Par lights more versatile. That’s when he discovered Rosco’s OPTI-SCULPT beam shaping filters.
Scenic and Lighting Designer Paul Yeates created a “UV-blueprint” scenic effect using a combination of Rosco UV scenic paint and Rosco UV LED fixtures.
Lighting Designer Paulina Villalobos chose Rosco’s gobo projection solutions to re-create characters from Kandinsky’s “Blue Sky” in the plaza outside the Artequin Museum in Santiago de Chile.
The design team for the De Bastei cultural centre in Nijmegen, Netherlands chose the Rosco Image Spot to project informational text directly onto the stonework of its archaeological ruins.
Dolce&Gabbana wanted “the world’s best lighting” for their changing rooms. Working with the lighting design firm, Mindseye, they chose the Rosco Silk 110 – a light engineered for cinematographers.
Designers at Lightswitch used several Rosco X-Effects LED Projectors to create realistic, simulated water effects that fully immerse the visitors inside a virtual aquarium.
Lighting Designer Cory Pattak designed a pair of custom glass gobos for a production of “1776.” Those two gobos are now available to everyone because we recently added them to our library of standard gobos.