Designers at Obscura Digital chose Rosco Custom Glass Gobos to project flowers & leaves onto San Francisco’s historic Conservatory of Flowers for an installation of their “Photosynthesis” light art series.
While designing a one-man show, LD Jimmy Lawlor determined that he needed to make the venue’s LED Par lights more versatile. That’s when he discovered Rosco’s OPTI-SCULPT beam shaping filters.
Scenic and Lighting Designer Paul Yeates created a “UV-blueprint” scenic effect using a combination of Rosco UV scenic paint and Rosco UV LED fixtures.
Lighting Designer Paulina Villalobos chose Rosco’s gobo projection solutions to re-create characters from Kandinsky’s “Blue Sky” in the plaza outside the Artequin Museum in Santiago de Chile.
The design team for the De Bastei cultural centre in Nijmegen, Netherlands chose the Rosco Image Spot to project informational text directly onto the stonework of its archaeological ruins.
The Dolce&Gabbana – SoHo boutique in New York City features a theatrically inspired lighting design and nearly 100 Rosco Braq Cube WNC LED fixtures to illuminate the store’s “club-culture cool aesthetic.”
Dolce&Gabbana wanted “the world’s best lighting” for their changing rooms. Working with the lighting design firm, Mindseye, they chose the Rosco Silk 110 – a light engineered for cinematographers.
Lighting Designer Cory Pattak designed a pair of custom glass gobos for a production of “1776.” Those two gobos are now available to everyone because we recently added them to our library of standard gobos.
The team at ACTLD transformed Strasbourg’s historic Place du Château into an immersive visual experience using a combination of projection mapping and hundreds of projected B&W glass gobos.
Lighting Designer Jane Cox shares her thoughts on “Color and Light,” as well as a few of her lighting techniques after working on “Sunday in the Park with George” at the Guthrie Theater.