As a part of their effort to improve the nighttime landscape of Ciudad Rodrigo in Spain, designers used Image Spots and customized gobos to accentuate the Gothic details on the city’s Palacio de Montarco.
Lighting Designer Bradley King explains why and how he chose the Rosco Braq Cube 4C as the footlights in his his Tony Award®-winning lighting design for the hit Broadway musical “Hadestown.”
Lighting Designer Robinson Wilson allows the Rosco Color of the Week posts he sees on our Facebook page to inspire him to try new colors and color combinations in his work.
Visual Artist Liz West used several of our DMG Lumière SL1 MIX LED fixtures to immerse visitors in her large-scale, immersive light art installation – Live Colour.
When Lighting Designer Matthew Grenier helped his old high school upgrade to LEDs, he struggled with coverage issues. Rosco’s OPTI-SCULPT Filters enabled him to shape the beams to fit the space.
Essential Light Design Studio used Rosco Image Spot LED Projectors and customized Rosco Gobos to highlight three iconic roof-top water tanks in the West End Dallas skyline.
The team at ACTLD transformed Strasbourg’s historic Place du Château into an immersive visual experience using a combination of projection mapping and hundreds of projected B&W glass gobos.
Lighting Designer Jane Cox shares her thoughts on “Color and Light,” as well as a few of her lighting techniques after working on “Sunday in the Park with George” at the Guthrie Theater.
Lighting Designer Jimmy Lawlor shares the vibrant sunrise and sunset color palettes he used in his design for a production of “Picnic” at James Madison University.
Rosco’s own Matt Pagliaro tells how he used Miro Cube 4C units to enhance his rock and roll lighting design for a community theatre production of “Rock of Ages.”