During a recent renovation, First Marion Baptist Church used RoscoLED Tape to add color-changing illumination into their contemporary sanctuary design.
Lighting Designer Don Darnutzer used a combination of handmade lighting masks & Rosco patterns to create mountainous gobo projections for a production of “Carmen.”
Lighting Designer Cha See describes three Rosco solutions she used to create green light in her design for a NYTW production of the play “Houseplant.”
Designers at Lightswitch used several Rosco X-Effects LED Projectors to create realistic, simulated water effects that fully immerse the visitors inside a virtual aquarium.
Lighting Designer Cory Pattak designed a pair of custom glass gobos for a production of “1776.” Those two gobos are now available to everyone because we recently added them to our library of standard gobos.
Acclaimed Broadway Lighting Designer Donald Holder shares his collaborative experience bringing “Anastasia” to life on Broadway.
The team at ACTLD transformed Strasbourg’s historic Place du Château into an immersive visual experience using a combination of projection mapping and hundreds of projected B&W glass gobos.
Lighting Designer Jane Cox shares her thoughts on “Color and Light,” as well as a few of her lighting techniques after working on “Sunday in the Park with George” at the Guthrie Theater.
Stan Miller, the owner of Rosco, talks about how his personal relationship with the biggest names in the lighting profession resulted in some of the most popular Rosco Color and Diffusion Filters.
Lighting Designer Jimmy Lawlor shares the vibrant sunrise and sunset color palettes he used in his design for a production of “Picnic” at James Madison University.