Cinematographer – and Rosco Ambassador – Graham Sheldon describes how he used an SL1 MIX light and a V-Hazer to create the “gangster film” look for a project.

Cinematographer – and Rosco Ambassador – Graham Sheldon describes how he used an SL1 MIX light and a V-Hazer to create the “gangster film” look for a project.
Learn how filmmakers can tile and sync our DMG Lumière MAXI MIX LED lights together to create large light sources on set.
Filmmaker Tanner Short was so inspired by our Mardi Gras themed Rosco Color of the Week post that he Captured the featured color in the myMIX app and re-created the color with his SL1 MIX light for a Mardi Gras themed videoshoot!
The set lighting team at Toei Studios in Kyoto, Japan invested in DMG Lumière by Rosco LED fixtures to illuminate their hit show “The Woman of S.R.I.”
A look at how award-winning Cinematographer José Luis Alcaine has used Rosco’s DMG Lumière range of LED fixtures on three of his recent projects.
Cinematographer Xavier Dolléans explains how he used the “Capture” feature in the myMIX App to create a unique color during a scene he was shooting for the teen-drama SKAM France.
Engineered by the LED lighting and color experts at Rosco, MIXBOOK is the world’s first digital swatchbook for lighting professionals to evaluate the LED color choices.
Using nearly 1.5 years of feedback from filmmakers in the field – we are releasing a number of fantastic updates and upgrades for our DMG Lumière MIX LED technology.
Gaffer David Besdesky describes how he put his DMG Lumière SL1 MIX and MINI MIX LED fixtures to work on a pair of fast-paced, single-shot Pepsi commercials.
Ever notice that “gel colors” created by color-mixing LED lights rarely match other lights with actual gels? DMG Lumière MIX LED fixtures solve that dilemma with True Rosco Color & accurate Rosco gel color matches.