Whether you’re a student or a professional scenic painter – all artists can use Rosco’s new Scenic Sets to experiment and hone their craft.
Scenic Artist Tammy Honesty explains the process she used to paint a 3D-printed replica of Florence, Italy’s famous “Liberty of Poetry” statue for an exhibit at the Ellis Island National Immigration Museum.
It’s hard to find a wide-width wood graining tool. So, when Scenic Artist Terra Writz needed to paint 6-in planks for a faux parquet floor – she made her own. Then she shared her process with us!
Scenic Artist Brigitte Bechtel devised an excellent technique for transforming carpet into realistic fake dirt that tours well and installs on stage quickly and easily.
Muralists at Fresco Exchange discovered the benefits of our Off Broadway Scenic Paints, including their matte finish & vibrant colors, then put them to work painting murals across the U.S.
Drawing on her years of experience as Resident Scenic Artist at Tobins Lake Studios, Jamie Clausius discusses the similarities and differences of our Supersaturated and Off Broadway Scenic Paint.
Scenic Artist, Angelique Powers, shares her technique for creating realistic faux steel, which she put to work on “Dutchman” and “The Owl Answers” at Penumbra Theatre.
Scenic Artist, Donna Wymore, specializes in Christmas Tree Backdrops for “The Nutcracker.” She relies on Rosco Scenic Paint to create her holiday masterpieces – and she advises customers painting her “Paint It Yourself” drops to do the same.
Scenic Artist, Jamie Clausius, shares her rediscovery of schlepitchka – and other inventive scenic art techniques – for a backdrop project she painted for Tobins Lake Studios.
Scenic Artist, Gabriel Barrera created his ScenicG Workshops to instruct scenic art techniques to underrepresented communities. Gabriel describes a few of his techniques & shares some of his students’ results.