We shot a video that showcases the Emergency Vehicle effect built into our DMG Lumière MIX LED lights and how that effect can be used during a nighttime exterior, car chase shoot.
Director of Photography, Andy Van den Eynde, explains how DMG Lumière MIX technology expedited his workflow on a music video shoot that showcases the features of the MIX LED fixtures and the myMIX App.
Director and Cinematographer, Barry Andersson, put a Silk 220 LED soft light and a DMG Lumière MAXI Switch to work on his latest feature. He explains how they both helped him overcome challenges he encountered on location.
Cinematographer, Barry Andersson, has put nearly every one of our Silk LED soft lights to work on his projects. He shares his experiences with the fixtures and his opinions on what they do best on set.
Lighting designers from Light Collective found that Rosco’s LitePad Vector was the perfect light to use while shooting interviews for their documentary – “The Perfect Light.”
A closer look at DMG Lumière – who are they, where did the name come from and what’s in store for the brand after Rosco’s acquisition?
Zack Caplan is a member of the in-house team of filmmakers at JetBlue Airlines, and he uses a fleet of Rosco LED solutions to shoot JetBlue’s corporate video projects.
Cinematographer Mike Svitak and his crew took our LitePad Vector Backpack Kit into the snowfilled Utah mountains to shoot the movie “6 Below.”
With the addition of Rosco’s Silk 110 – A family of LED soft lights is born!
Filmmaker Micah Van Hove recently reviewed our LitePad Vector for NoFilmSchool.com. In these excerpts from his excellent review, we show some of the clever ways he put the Vector to work on his projects.