Scenic Artist Tim Parati used Rosco Invisible Blue Fluorescent Paint to create large, glowing scenery for a production of “Pete The Cat” at Children’s Theatre of Charlotte.
Rosco’s Jenny Knott and Scenic Artist and Historian, Wendy Waszut-Barrett, taught a scenic painting workshop at CITT that merged historical scene painting techniques with modern materials.
Scenic Artist, Angelique Powers, shares several techniques on how to create faux patina effects for scenery and props using Rosco Scenic Paint products.
Scenic Artist, Angelique Powers, shares her technique for creating realistic faux steel, which she put to work on “Dutchman” and “The Owl Answers” at Penumbra Theatre.
Scenic Artist, Donna Wymore, specializes in Christmas Tree Backdrops for “The Nutcracker.” She relies on Rosco Scenic Paint to create her holiday masterpieces – and she advises customers painting her “Paint It Yourself” drops to do the same.
Scenic Artist, Jamie Clausius, shares her rediscovery of schlepitchka – and other inventive scenic art techniques – for a backdrop project she painted for Tobins Lake Studios.
Scenic Artist, Gabriel Barrera created his ScenicG Workshops to instruct scenic art techniques to underrepresented communities. Gabriel describes a few of his techniques & shares some of his students’ results.
Scenic Artist Mikah Berky explains how Rosco Supersaturated Scenic Paint enabled her paint crew at Oregon Shakespeare Festival to paint a large backdrop on China Silk for a production of “The Wiz.”
Scenic Artist Laura Scheving shares her recent project that highlights how to create marvelous sunrise and sunset backdrop effects with Rosco Scenic Paints.
Scenic Artist Rachel Reynolds shares her recipes and techniques for creating stained glass window scenery using plexiglass and Rosco CrystalGel and Supersaturated Scenic Paints.