Thanks to Airbnb, Rosco’s Margie Heymann ended up renting space inside the apartment of Choreographer/Lighting Designer Christopher Caines. While they were neighbors, Margie interviewed Christopher about his approach to lighting for dance.
Lighting Designer Jimmy Lawlor shares the vibrant sunrise and sunset color palettes he used in his design for a production of “Picnic” at James Madison University.
Stan Miller, the owner of Rosco, talks about how the young company got into the gel business thanks to WWI, and how he came to own the business in 1958.
Lighting designer Zach Burgess describes how he was able to use Roscolux color filters to bring the magical world of Narnia to life for a production of “The Lion, the Witch and the Wardrobe.”
Lighting designer Jordan Green created engaging lighting effects for the musical “Dzsungel Könyve” (The Jungle Book) using gels, gobos and a little fog.
An inquiry about our gel numbering system comes in via email from a theatre student in Oklahoma. Stan Miller, the owner of the company, responds with the whole history!
Share Your Work – Get A Mug!
Lighting designers and scenic painters – find out how simple it is to send us photos of your work and get rewarded with a one-of-a-kind Rosco coffee mug!
Lighting designer Alessandro Carletti used color to express the psychological mood of the characters in Teatro San Carlo’s production of “The Abduction from the Serraglio.” See his colour palette and learn why he chose the colours that he did.