Stephen Arment, a High School Drama Teacher in Florida, shares his thoughts and feelings about the power of light and color in theatre after installing a fresh set of gels in his lights.
Needing to stage a production of “Cabaret” inside a rehearsal space, Lighting Designer, Marcella Barbeau, used the unique, existing fluorescents in the space to add color into her pre-show lighting.
Acclaimed Broadway Lighting Designer Donald Holder shares his collaborative experience bringing “Anastasia” to life on Broadway.
Lighting Designer Jane Cox shares her thoughts on “Color and Light,” as well as a few of her lighting techniques after working on “Sunday in the Park with George” at the Guthrie Theater.
Lighting Designer Jimmy Lawlor shares the vibrant sunrise and sunset color palettes he used in his design for a production of “Picnic” at James Madison University.
Knomad Colab, a Denver-based art duo, activates the Rocky Mountains using colorful projections they’ve created using a collaboration of Roscolux color filters and LED projectors.
Lighting designer Zach Burgess describes how he was able to use Roscolux color filters to bring the magical world of Narnia to life for a production of “The Lion, the Witch and the Wardrobe.”
Lighting designer Jordan Green created engaging lighting effects for the musical “Dzsungel Könyve” (The Jungle Book) using gels, gobos and a little fog.
An inquiry about our gel numbering system comes in via email from a theatre student in Oklahoma. Stan Miller, the owner of the company, responds with the whole history!
Angstrom Lighting uses Roscolux filters when they light up Los Angeles City Hall to express a variety of sentiments, including: solidarity, celebration and sorrow.