Filmmaker Kyle Kelley describes how he used Rosco Chroma Key Green Paint to make small green screens for the VFX control panels in his spaceship set design.
Scenic Artist Tessa Broyles takes on the “Anything But A Paintbrush” challenge to paint landscape scenery using a variety of painting tools & Rosco Paints.
It’s hard to find a wide-width wood graining tool. So, when Scenic Artist Terra Writz needed to paint 6-in planks for a faux parquet floor – she made her own. Then she shared her process with us!
Muralists at Fresco Exchange discovered the benefits of our Off Broadway Scenic Paints, including their matte finish & vibrant colors, then put them to work painting murals across the U.S.
Scenic Artist Tim Parati used Rosco Invisible Blue Fluorescent Paint to create large, glowing scenery for a production of “Pete The Cat” at Children’s Theatre of Charlotte.
Rosco’s Jenny Knott and Scenic Artist and Historian, Wendy Waszut-Barrett, taught a scenic painting workshop at CITT that merged historical scene painting techniques with modern materials.
Scenic Artist, Jamie Clausius, shares her rediscovery of schlepitchka – and other inventive scenic art techniques – for a backdrop project she painted for Tobins Lake Studios.
Scenic Artist Mikah Berky explains how Rosco Supersaturated Scenic Paint enabled her paint crew at Oregon Shakespeare Festival to paint a large backdrop on China Silk for a production of “The Wiz.”
Stan Miller, the owner of Rosco, talks about how the company began selling scenic paint, and how that expansion of our product range turned many “theatrical lighting” companies into the “theatrical supply” companies you know today.
Stan Miller, the owner of Rosco, talks about how keeping the word “Laboratories” in our name, enabled the company to expand its product range over the years.