Scenic Artist Tammy Honesty explains the process she used to paint a 3D-printed replica of Florence, Italy’s famous “Liberty of Poetry” statue for an exhibit at the Ellis Island National Immigration Museum.
Designer Heidi Hoffer conducted a foam carving workshop that discussed how to prime foam that included a section on how to prime foam scenery with Rosco FoamCoat and CrystalGel scenic coatings.
Scenic Artist Tim Parati used Rosco Invisible Blue Fluorescent Paint to create large, glowing scenery for a production of “Pete The Cat” at Children’s Theatre of Charlotte.
Glasgow Piano City decorates donated pianos in vibrant Rosco Scenic Paints and then makes them available for anyone to play at locations throughout the city of Glasgow, Scotland.
Drawing on her years of experience as Resident Scenic Artist at Tobins Lake Studios, Jamie Clausius discusses the similarities and differences of our Supersaturated and Off Broadway Scenic Paint.
Scenic Artist, Rachael Claxton, describes three ingenious ways to put Rosco CrystalGel to work in your next scenic art project.
Scenic Artist, Angelique Powers, shares her technique for creating realistic faux steel, which she put to work on “Dutchman” and “The Owl Answers” at Penumbra Theatre.
Scenic Artist, Gabriel Barrera created his ScenicG Workshops to instruct scenic art techniques to underrepresented communities. Gabriel describes a few of his techniques & shares some of his students’ results.
Scenic Artist Tammy Honesty shares how she discovered Rosco’s Premiere Clear – and all of the advantages it has to offer – while searching out a high-gloss top coat for staircase set-piece she was painting.
Scenic Artist Mikah Berky explains how Rosco Supersaturated Scenic Paint enabled her paint crew at Oregon Shakespeare Festival to paint a large backdrop on China Silk for a production of “The Wiz.”