Designer Heidi Hoffer conducted a foam carving workshop that discussed how to prime foam that included a section on how to prime foam scenery with Rosco FoamCoat and CrystalGel scenic coatings.
Scenic Artist Brigitte Bechtel devised an excellent technique for transforming carpet into realistic fake dirt that tours well and installs on stage quickly and easily.
Scenic Artist, Rachael Claxton, describes three ingenious ways to put Rosco CrystalGel to work in your next scenic art project.
Scenic Artist, Angelique Powers, shares several techniques on how to create faux patina effects for scenery and props using Rosco Scenic Paint products.
Scenic Artist, Angelique Powers, shares her technique for creating realistic faux steel, which she put to work on “Dutchman” and “The Owl Answers” at Penumbra Theatre.
Scenic Artist, Jamie Clausius, shares her rediscovery of schlepitchka – and other inventive scenic art techniques – for a backdrop project she painted for Tobins Lake Studios.
Scenic Artist, Gabriel Barrera created his ScenicG Workshops to instruct scenic art techniques to underrepresented communities. Gabriel describes a few of his techniques & shares some of his students’ results.
Scenic Artist Tammy Honesty shares how she discovered Rosco’s Premiere Clear – and all of the advantages it has to offer – while searching out a high-gloss top coat for staircase set-piece she was painting.
Scenic Artist Mikah Berky explains how Rosco Supersaturated Scenic Paint enabled her paint crew at Oregon Shakespeare Festival to paint a large backdrop on China Silk for a production of “The Wiz.”
Scenic Artist Rachel Reynolds shares her recipes and techniques for creating stained glass window scenery using plexiglass and Rosco CrystalGel and Supersaturated Scenic Paints.