Scenic Artist Tim Parati used Rosco Invisible Blue Fluorescent Paint to create large, glowing scenery for a production of “Pete The Cat” at Children’s Theatre of Charlotte.
Drawing on her years of experience as Resident Scenic Artist at Tobins Lake Studios, Jamie Clausius discusses the similarities and differences of our Supersaturated and Off Broadway Scenic Paint.
Scenic Artist, Angelique Powers, shares her technique for creating realistic faux steel, which she put to work on “Dutchman” and “The Owl Answers” at Penumbra Theatre.
Scenic Artist, Donna Wymore, specializes in Christmas Tree Backdrops for “The Nutcracker.” She relies on Rosco Scenic Paint to create her holiday masterpieces – and she advises customers painting her “Paint It Yourself” drops to do the same.
Scenic Artist, Jamie Clausius, shares her rediscovery of schlepitchka – and other inventive scenic art techniques – for a backdrop project she painted for Tobins Lake Studios.
Scenic Artist, Gabriel Barrera created his ScenicG Workshops to instruct scenic art techniques to underrepresented communities. Gabriel describes a few of his techniques & shares some of his students’ results.
Scenic Artist Mikah Berky explains how Rosco Supersaturated Scenic Paint enabled her paint crew at Oregon Shakespeare Festival to paint a large backdrop on China Silk for a production of “The Wiz.”
Scenic artists at Perry Scenic Creative used Rosco Fluorescent and VividFX Scenic Paints to create bold colours for the “Flower of Life” artwork seen on stage during Coldplay’s “A Head Full of Dreams” tour.
Scenic artist and instructor Angelique Powers not only shares her favorite techniques for mixing off white colors, she even provides recipes for mixing up the beige & grey tones you’ll use most.
The artisans that create the floats for the Toronto Santa Claus Parade use a variety of Rosco scenic products to bring their characters to life.