Scenic Artist Tammy Honesty explains the process she used to paint a 3D-printed replica of Florence, Italy’s famous “Liberty of Poetry” statue for an exhibit at the Ellis Island National Immigration Museum.
It’s hard to find a wide-width wood graining tool. So, when Scenic Artist Terra Writz needed to paint 6-in planks for a faux parquet floor – she made her own. Then she shared her process with us!
Scenic Artist Brigitte Bechtel devised an excellent technique for transforming carpet into realistic fake dirt that tours well and installs on stage quickly and easily.
Scenic Artist Tim Parati used Rosco Invisible Blue Fluorescent Paint to create large, glowing scenery for a production of “Pete The Cat” at Children’s Theatre of Charlotte.
Drawing on her years of experience as Resident Scenic Artist at Tobins Lake Studios, Jamie Clausius discusses the similarities and differences of our Supersaturated and Off Broadway Scenic Paint.
Scenic Artist, Rachael Claxton, describes three ingenious ways to put Rosco CrystalGel to work in your next scenic art project.
Scenic Artist, Angelique Powers, shares several techniques on how to create faux patina effects for scenery and props using Rosco Scenic Paint products.
Scenic Artist, Angelique Powers, shares her technique for creating realistic faux steel, which she put to work on “Dutchman” and “The Owl Answers” at Penumbra Theatre.
Scenic Artist, Jamie Clausius, shares her rediscovery of schlepitchka – and other inventive scenic art techniques – for a backdrop project she painted for Tobins Lake Studios.