Scenic artist Angelique Powers shares her technique for creating a bold and powerful scenic backdrop & groundcloth for a production of “Earthquakes in London.”
Scenic Designer Tammy Honesty and her scenic painter Ely Mattson describe how they successfully used Rosco CrystalGel to prime some powder coated corrugated steel so they could paint it for a production of Andrew Lippa’s “Wild Party.”
Acclaimed Scenic Painter, Ziska Childs, shares how she used Rosco Supersaturated scenic paint to update a central scenic element in the Aspen Santa Fe Ballet’s production of The Nutcracker.
Scenic Artist Donna Wymore describes how she turned a splotchy pink backdrop into a sugary candyscapy by attaching candy-shaped scenic pieces to the drop with Rosco CrystalGel.
With limited budgets, prop designers are always on the hunt for antiques crying out for a makeover. This explains why they’ve always got their eyes peeled for unique finds at garage/rummage/yard/estate sales. If they can find an affordable piece of furniture that matches the style/time-period of the project they’re designing for, they can probably reuse,…
Scenic Designer Alex Connor uses Off Broadway paint to create Monet-inspired scenery for a production of “The Mikado” at Viterbo University.