Director of Photography, Andy Van den Eynde, explains how DMG Lumière MIX technology expedited his workflow on a music video shoot that showcases the features of the MIX LED fixtures and the myMIX App.
Cinematographer Chris Vanderschaaf recently tested the DMG Lumière MAXI Switch on a high-speed, slow-motion project, then shared how one, singular MAXI delivered the clean, bright output he needed.
Zack Caplan is a member of the in-house team of filmmakers at JetBlue Airlines, and he uses a fleet of Rosco LED solutions to shoot JetBlue’s corporate video projects.
Gaffer Trenton McRae explains how and why he lit a black light set for a music video with Rosco’s Miro Cube™ UV365 LED fixture.
Cinematographer Barry Andersson recently shot a project on a rooftop location that decided to extend into the night. Luckily, he had two Rosco Silk LED soft lights along to light the set.
Based on feedback we’ve received from the field, we’ve updated our Silk Family of LED soft lights with new control features – plus, we’ve added two new sizes – the Silk 205 and Silk 305!
Cinematographer Mike Svitak and his crew took our LitePad Vector Backpack Kit into the snowfilled Utah mountains to shoot the movie “6 Below.”
Cinematographer Barry Andersson has spent years researching and investigating different types of lighting. He wrote this article to show how LitePad Vector creates magic on every production he shoots – from large-scale features to small, one-man-band documentaries.
Shopping for the stage technician, filmmaker or photographer in your life? Rosco’s Chad Tiller shares his favorite gift ideas, which are as thoughtful as they are practical.
Thanks to its gorgeous, perfectly-rendered and soft light output, and its compact, portable design, lighting designer Martin Labrecque put several of our new Silk 210 LED fixtures to work lighting the video simulcast of the popular Montréal radio show “La soirée est (encore) jeune.”