Dolce&Gabbana wanted “the world’s best lighting” for their changing rooms. Working with the lighting design firm, Mindseye, they chose the Rosco Silk 110 – a light engineered for cinematographers.
Seattle Channel renovated the lighting system in their broadcast studio with several Rosco LED light fixtures to create a cooler work-environment with lighting that matched their plasma studio monitors.
Cinematographer, Barry Andersson, has put nearly every one of our Silk LED soft lights to work on his projects. He shares his experiences with the fixtures and his opinions on what they do best on set.
Cinematographer Barry Andersson recently shot a project on a rooftop location that decided to extend into the night. Luckily, he had two Rosco Silk LED soft lights along to light the set.
Based on feedback we’ve received from the field, we’ve updated our Silk Family of LED soft lights with new control features – plus, we’ve added two new sizes – the Silk 205 and Silk 305!
Cinematographer Carlos Esteves CSC shared his thoughts and observations with us after using our Silk LED soft lights to illuminate a Canon event celebrating the release of their new C700 camera.
With the addition of Rosco’s Silk 110 – A family of LED soft lights is born!