Director of Photography, Andy Van den Eynde, explains how DMG Lumière MIX technology expedited his workflow on a music video shoot that showcases the features of the MIX LED fixtures and the myMIX App.
Cinematographer Chris Vanderschaaf recently tested the DMG Lumière MAXI Switch on a high-speed, slow-motion project, then shared how one, singular MAXI delivered the clean, bright output he needed.
When they needed a lighting package to shoot a promo video of a new excavator on the factory floor – filmmakers from IMAGE4YOU chose the Switch range of LED soft lights from DMG Lumière by Rosco.
A closer look at DMG Lumière – who are they, where did the name come from and what’s in store for the brand after Rosco’s acquisition?
Zack Caplan is a member of the in-house team of filmmakers at JetBlue Airlines, and he uses a fleet of Rosco LED solutions to shoot JetBlue’s corporate video projects.
With the addition of Rosco’s Silk 110 – A family of LED soft lights is born!
Jay P. Morgan from The Slanted Lens explains how to light in a mixed lighting scenario using his Rosco LitePad Vector LED lights.
Cinematographer Eduardo Fierro used Rosco LitePads to light up bags of Doritos – from INSIDE a vending machine – when shooting his 2014 semi-finalist submission for the Doritos Crash The Super Bowl Contest.
Cinematographer Barry Andersson has spent years researching and investigating different types of lighting. He wrote this article to show how LitePad Vector creates magic on every production he shoots – from large-scale features to small, one-man-band documentaries.
As a part of our recent upgrade to LitePad HO+ and LitePad Axiom, we have also released a new range of LitePad Kits going from two LitePad Kits to nine different LitePad Kits to choose from. Today’s Spectrum post will offer some guidance to choosing the proper kit for your project and highlight how one…