Acclaimed Scenic Painter, Ziska Childs, shares how she used Rosco Supersaturated scenic paint to update a central scenic element in the Aspen Santa Fe Ballet’s production of The Nutcracker.

Acclaimed Scenic Painter, Ziska Childs, shares how she used Rosco Supersaturated scenic paint to update a central scenic element in the Aspen Santa Fe Ballet’s production of The Nutcracker.
Heidi Hoffer is a scenographer, scenic designer and lighting designer for theatre, opera & musicals, and a professor of design at Oklahoma State University’s Department of Theatre. She was a Fulbright Scholar in South Africa for 13 months to research, design shows, review curricula, conduct professional workshops, and teach theatre classes. Below Heidi shares her experience…
The phrase “All the World’s a Stage” is a well-known line from As You Like It, but for theatre-goers in Scotland, this famous Shakespearian line now has an extra special meaning. It’s the title of the stunning new mural by John Byrne that adorns the 85 square meter dome of the King’s Theatre in Edinburgh. …
In this final Spectrum chapter examining Rosco’s 100 year history, we continue to look at the events that influenced Rosco’s development and, in turn, shaped our industry. So far, we’ve learned how Rosco got its start and how gel, gobos and fog machines were introduced. As of today, we have several hundred products from ten…
Rosco’s Jenny Knott explains that one of the key components needed in order to paint theatrical scenery is – SCENIC PAINT.