Scenic Artist, Gabriel Barrera created his ScenicG Workshops to instruct scenic art techniques to underrepresented communities. Gabriel describes a few of his techniques & shares some of his students’ results.
Scenic Artist Rachel Reynolds shares her recipes and techniques for creating stained glass window scenery using plexiglass and Rosco CrystalGel and Supersaturated Scenic Paints.
The set design company Ras Escenografías used Rosco Scenic Paints to create beautiful backdrops for the Carnival celebrations in Cádiz Spain.
Props artisan Karestin Harrison shares two of her favorite recipes for creating fake food that can be used in theatre or film/video productions.
Furniture artist Jenna Goldberg recently shared her passion for our vibrant Supersaturated paint colors with furniture designers from around the world at the Furniture Society Conference in Philadelphia.
Acclaimed Scenic Painter, Ziska Childs, shares how she used Rosco Supersaturated scenic paint to update a central scenic element in the Aspen Santa Fe Ballet’s production of The Nutcracker.
Heidi Hoffer is a scenographer, scenic designer and lighting designer for theatre, opera & musicals, and a professor of design at Oklahoma State University’s Department of Theatre. She was a Fulbright Scholar in South Africa for 13 months to research, design shows, review curricula, conduct professional workshops, and teach theatre classes. Below Heidi shares her experience…
Rain Forest Diseño S.L, used Rosco Supersaturated paints to accurately re-create the wilderness habitats in an Indo-Pacific region in Bioparc Fuengirola zoo.
Whether it’s used to create the verdant fields and forests of Oz or the Emerald City itself, the color green can be used to evoke emotion and create a time & place on stage. We’ll showcase this hue by focusing on three shows set in the land of Oz – The Wizard of Oz, The…
Scenic painter Angelique Powers explains why sometimes regular house paint doesn’t work on stage – sometimes the results are catastrophic.