Scenic artists at The Alliance Theatre in Atlanta shared how they used Rosco Flexbond to create large-scale papier-mâché scenery for a production.

Scenic artists at The Alliance Theatre in Atlanta shared how they used Rosco Flexbond to create large-scale papier-mâché scenery for a production.
It’s hard to find a wide-width wood graining tool. So, when Scenic Artist Terra Writz needed to paint 6-in planks for a faux parquet floor – she made her own. Then she shared her process with us!
Scenic Artist, Gabriel Barrera created his ScenicG Workshops to instruct scenic art techniques to underrepresented communities. Gabriel describes a few of his techniques & shares some of his students’ results.
Scenic Artist Mikah Berky explains how Rosco Supersaturated Scenic Paint enabled her paint crew at Oregon Shakespeare Festival to paint a large backdrop on China Silk for a production of “The Wiz.”
Scenic Artist Laura Scheving shares her recent project that highlights how to create marvelous sunrise and sunset backdrop effects with Rosco Scenic Paints.
Stan Miller, the owner of Rosco, talks about how the company began selling scenic paint, and how that expansion of our product range turned many “theatrical lighting” companies into the “theatrical supply” companies you know today.
The set design company Ras Escenografías used Rosco Scenic Paints to create beautiful backdrops for the Carnival celebrations in Cádiz Spain.
Furniture artist Jenna Goldberg recently shared her passion for our vibrant Supersaturated paint colors with furniture designers from around the world at the Furniture Society Conference in Philadelphia.
Acclaimed Scenic Painter, Ziska Childs, shares how she used Rosco Supersaturated scenic paint to update a central scenic element in the Aspen Santa Fe Ballet’s production of The Nutcracker.
Heidi Hoffer is a scenographer, scenic designer and lighting designer for theatre, opera & musicals, and a professor of design at Oklahoma State University’s Department of Theatre. She was a Fulbright Scholar in South Africa for 13 months to research, design shows, review curricula, conduct professional workshops, and teach theatre classes. Below Heidi shares her experience…