Scenic Artist Tammy Honesty explains the process she used to paint a 3D-printed replica of Florence, Italy’s famous “Liberty of Poetry” statue for an exhibit at the Ellis Island National Immigration Museum.
Scenic Artist Tammy Honesty shares how she discovered Rosco’s Premiere Clear – and all of the advantages it has to offer – while searching out a high-gloss top coat for staircase set-piece she was painting.
Props artisan Karestin Harrison shares two of her favorite recipes for creating fake food that can be used in theatre or film/video productions.
Scenic Designer Tammy Honesty and her scenic painter Ely Mattson describe how they successfully used Rosco CrystalGel to prime some powder coated corrugated steel so they could paint it for a production of Andrew Lippa’s “Wild Party.”
Lighting designer James K. Davis explains how he used to Rosco Effects Glass gobos like Prismatics and ColorWaves in a production of Shakespeare’s The Tempest to not only create magic on stage – but also realize the vision of the show’s scenic designer and director.
The buzz around the new cool running LED profiles such as ETC’s Source 4 LED and Osram’s Kreios fixtures is palpable and I anticipate that the interest level in this technology will only increase as more and more fixtures get installed in venues around the world. In light of this new technology, this post will…