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Cinegel

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The Rosco Cinegel range includes over 200 tools for controlling light, including color corrections, diffusions, our patented CalColor System, The Storaro Selection and Cinelux. Since it's introduction in 1970, Cinegel has continually developed and grown to meet the working needs of professionals working behind the camera. In 1974, Rosco was honored with an Academy Award for developing the Cinegel range and again in 1998 for the development of the CalColor range of calibrated colors for camera.

All of the filters in the Cinegel range are available in 20"x24" sheets and 48"x25' rolls, unless otherwise noted. The Cinegel range of color correction and color effects filters are manufactured using deep-dyed polyester for heat stability & superior color transmission.

Click on this icon shown next to each color filter to view its Spectral Energy Distribution curve.


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View the Spectral Energy Distribution Curve C3202 Cinegel #3202: Full Blue (CTB)
Mired Shift -131 Standard Tungsten to Daylight dorrection. For converting 3200K sources to normal daylight. Deep-dyed base. (Transmission = 36%). (FStop: -1.5s)
View the Spectral Energy Distribution Curve C3203 Cinegel #3203: Three-Quarter Blue (3/4 CTB)
Mired Shift -100 Boosts 3200K sources to 4700K. Used when a partial conversion is desired, or when daylight is below 5000K. Deep-dyed base. (Transmission = 41%). (FStop: -1.3s)
View the Spectral Energy Distribution Curve C3204 Cinegel #3204: Half Blue (1/2 CTB)
Mired Shift -68 Boosts 3200K sources to 4100K. A partial conversion to compensate for varying daylight conditions and voltage reduction, or to boost aging HMI lamps and yellowed soft lights. Deep-dyed base. (Transmission = 52%). (FStop: -0.9s)
View the Spectral Energy Distribution Curve C3206 Cinegel #3206: Third Blue (1/3 CTB)
Mired Shift -49 Boosts 3200K sources to 3800K. A partial conversion to compensate for varying daylight conditions and voltage reduction, or to boost aging HMI lamps and yellowed soft lights. Deep-dyed base. (Transmission = 64%). (FStop: -0.6s)
View the Spectral Energy Distribution Curve C3208 Cinegel #3208: Quarter Blue (1/4 CTB)
Mired Shift -30 Boosts 3200K sources to 3500K. A partial conversion to compensate for voltage reduction, or to boost aging HMI lamsp or household incandescent sources. Deep-dyed base. (Transmission = 74%). (FStop: -0.4s)
View the Spectral Energy Distribution Curve C3216 Cinegel #3216: Eighth Blue (1/8 CTB)
Mired Shift -12 Boosts 3200K sources to 3300K. A partial conversion to compensate for voltage reduction, or to boost aging HMI lamsp or household incandescent sources. Deep-dyed base. (Transmission = 81%). (FStop: -0.3s)
View the Spectral Energy Distribution Curve C3220 Cinegel #3220: Double Blue (2x CTB)
Mired Shift -260 Boosts 2800K sources to nominal 10,000K. An over-correction filter designed for special applications. Deep-dyed base. (Transmission = 10%). (FStop: -3.3s)
View the Spectral Energy Distribution Curve C3407 Cinegel #3407: Roscosun CTO
Mired Shift +167 Converts 5500K daylight to 2900K. Preferred either for a warmer look or when daylight is over 6000K. Optically clear. (Transmission = 47%). (FStop: -1.1s)
View the Spectral Energy Distribution Curve C3411 Cinegel #3411: Roscosun 3/4 CTO
Mired Shift +131 Standard correction to convert 5500K daylight to 3200K. Deep dyed base. (Transmission = 58%). (FStop: -0.8s)
View the Spectral Energy Distribution Curve C3408 Cinegel #3408: Roscosun 1/2 CTO
Mired Shift +81 Converts 5500K daylight to 3800K. Used when partial correction is desired or when daylight is below 4500K. Optically clear. (Transmission = 73%). (FStop: -0.5s)
View the Spectral Energy Distribution Curve C3409 Cinegel #3409: Roscosun 1/4 CTO
Mired Shift + 42 Converts 5500K daylight to 4500K. Used when slight correction is desired or when daylight is below 4000K. Optically clear. (Transmission = 81%). (FStop: -0.3s)
View the Spectral Energy Distribution Curve C3410 Cinegel #3410: Roscosun 1/8 CTO
Mired Shift +20 Converts 5500K daylight to 4900K. Used when a very slight warming correction is desired. Deep-dyed base. (Transmission = 92%). (FStop: -0.1s)
View the Spectral Energy Distribution Curve C3420 Cinegel #3420: Roscosun Double CTO
Mired Shift +320 Converts 10,000K daylight to 2400K. An overcorrection filter designed for special applications. Deep-dyed base. (Transmission = 23%). (FStop: -2.1s)
View the Spectral Energy Distribution Curve C3441 Cinegel #3441: Full Straw CTS
A yellower (or less red) version of Full CTO. Converts 5500K daylight to 2900K. Deep-dyed base. (Transmission = 50%). (FStop: -1.0s)
View the Spectral Energy Distribution Curve C3442 Cinegel #3442: Half Straw 1/2 CTS
A yellower (or less red) version of 1/2 CTO. Converts 5500K daylight to 3800K. Deep-dyed base. (Transmission = 73%). (FStop: -0.5s)
View the Spectral Energy Distribution Curve C3443 Cinegel #3443: Quarter Straw 1/4 CTS
A yellower (or less red) version of 1/4 CTO. Converts 5500K daylight to 4500K. Deep-dyed base. (Transmission = 81%). (FStop: -0.3s)
View the Spectral Energy Distribution Curve C3444 Cinegel #3444: Eighth Straw 1/8 CTS
A yellower (or less red) version of 1/8 CTO. Converts 5500K daylight to 4900K. Deep-dyed base. (Transmission = 92%). (FStop: -0.1s)
View the Spectral Energy Distribution Curve C3415 Cinegel #3415: Rosco N.15
Mired Shift N/A Reduces incident light level by 1/2 stop. Extra-wide 60 in. Optically clear (Transmission = 70%). (FStop: -0.5s)
View the Spectral Energy Distribution Curve C3402 Cinegel #3402: Rosco N.3
Mired Shift N/A Reduces incident light by one stop. Extra-wide 60 in. Optically clear. (Transmission = 50%). (FStop: -1.0s)
View the Spectral Energy Distribution Curve C3403 Cinegel #3403: Rosco N.6
Mired Shift N/A Reduces incident light level by two stops. Extra-wide 60 in. Optically clear (Transmission = 25%). (FStop: -2.0s)
View the Spectral Energy Distribution Curve C3404 Cinegel #3404: RoscoSun N.9
Mired Shift N/A Reduces incident light level by three stops. Extra-wide 60 in. Optically clear. (Transmission = 12%). (FStop: -3.0s)
View the Spectral Energy Distribution Curve C3401 Cinegel #3401: Roscosun 85
Mired Shift +131 Standard window correction to convert 5500K daylight to 3200K. Extra-wide 60 in. Optically clear. (Transmission = 58%). (FStop: -0.8s)
View the Spectral Energy Distribution Curve C3405 Cinegel #3405: Roscosun 85N3
Combines the effect of the 85 and N.3 filters. Extra-wide 60 in. Optically clear. (Transmission = 33%). (FStop: -1.6s)
View the Spectral Energy Distribution Curve C3406 Cinegel #3406: Roscosun 85N6
Combines the effect of the 85 and N.6 filters. Extra-wide 60 in. Optically clear. (Transmission = 17%). (FStop: -2.6s)
C3421 Cinegel #3421: Black Scrim
A perforated material that is black on both sides. Used as a Neutral Density Window Scrim. Reduces incident light level 2 stops. (48" X 25') (Transmission not available). (FStop: -2.0s)
C3423 Cinegel #3423: Cinescreen
A woven material similar to black scrim. Used as a neutral denisty windowscrim. Reduces incident light level 2 stops. Extra-wide 60 in. (Transmission not available). (FStop: -2.0s)
View the Spectral Energy Distribution Curve C3304 Cinegel #3304: Tough Plusgreen/Windowgreen
Mired Shift N/A Adds green to natural and artificial daylight sources to balance with U.S. Cool White or Daylight type fluorescents. To be used with overall correction at the lens or in the lab. Deep-dyed base. Equivalent to CC30 Green. (Transmission = 76%). (FStop: -0.4s)
View the Spectral Energy Distribution Curve C3315 Cinegel #3315: Tough 1/2 Plusgreen
Mired Shift N/A Adds partial green to Daylight and 3200K sources for balancing with fluorescents and discharge lamps. Equivalent to CC15 Green. (Transmission = 90%). (FStop: -0.2s)
View the Spectral Energy Distribution Curve C3316 Cinegel #3316: Tough 1/4 Plusgreen
Mired Shift N/A Adds partial green to Daylight and 3200K sources for balancing with fluorescents and discharge lamps. Equivalent to CC075 Green. (Transmission = 92%). (FStop: -0.1s)
View the Spectral Energy Distribution Curve C3317 Cinegel #3317: Tough 1/8 Plusgreen
Mired Shift N/A Adds partial green to Daylight and 3200K sources for balancing with fluorescents and discharge sources. Equivalent to CC035 Green. (Transmission = 93%). (FStop: -0.1s)
View the Spectral Energy Distribution Curve C3308 Cinegel #3308: Tough Minusgreen
Converts U.S. Cool White or Daylight type fluorescent lamps to 5500K photographic daylight by removing the excess green. Deep-dyed base. Equivalent to CC30 Magenta. (Transmission = 55%). (FStop: -0.9s)
View the Spectral Energy Distribution Curve C3309 Cinegel #3309: Tough 3/4 Minusgreen
Reduces green output from fluorescent and other discharge sources. Equivalent to CC22.5 Magenta. (Transmission = 65%). (FStop: -0.6s)
View the Spectral Energy Distribution Curve C3313 Cinegel #3313: Tough 1/2 Minusgreen
Reduces the green output from fluorescents and other discharge sources. Deep-dyed base. Equivalent to CC15 Magenta. (Transmission = 71%). (FStop: -0.5s)
View the Spectral Energy Distribution Curve C3314 Cinegel #3314: Tough 1/4 Minusgreen
Reduces the green output from fluorescents and other discharge sources. Deep-dyed base. Equivalent to CC075 Magenta. (Transmission = 81%). (FStop: -0.3s)
View the Spectral Energy Distribution Curve C3318 Cinegel #3318: Tough 1/8 Minusgreen
Reduces green output from fluorescents and other discharge sources. Equivalent to CC035 Magenta. (Transmission = 89%). (FStop: -0.2s)
View the Spectral Energy Distribution Curve C3310 Cinegel #3310: Fluorofilter
Converts U.S. Cool White or Daylight type fluorescent lamps to 3200K photographic tungsten and removes the excess green. Available in rolls, sheets or sleeves. Deep-dyed base. (Transmission = 3%). (FStop: -1.5s)
View the Spectral Energy Distribution Curve C3150 Cinegel #3150: Industrial Vapor
Converts standard tungsten to sodium vapor. (Transmission = 38%). (FStop: -1.4s)
View the Spectral Energy Distribution Curve C3152 Cinegel #3152: Urban Vapor
Creates the visual reddish-orange appearance of sodium vapor street lights without the green found in sodium vapor sources. (Transmission = 29%). (FStop: -1.8s)
C3006 Cinegel #3006: Tough Spun
A slight diffuser. Softens edge, yet beam shape is maintained. An excellent general purpose diffuser. Replaces "Spun Glass". Tough, heat resistant base. (Transmission not available).
C3007 Cinegel #3007: Light Tough Spun
The most popular diffuser. Similar characteristics to Tough Spun, but less dense. Tough, heat resistant base. (Transmission not available).
C3022 Cinegel #3022: Quarter Tough Spun
Similar characteristics to Light Tough Spun, but less dense. Tough, heat resistant base. (Transmission not available).
C3008 Cinegel #3008: Tough Frost
A medium diffuser that spreads the beam, yet maintains a center. Tough, heat resistant base. (Transmission not available).
C3009 Cinegel #3009: Light Tough Frost
Similar characteristics to Tough Frost, but less dense. Tough, heat resistant base. (Transmission not available).
C3010 Cinegel #3010: Opal Tough Frost
The quintessential medium diffuser and our most popular tough diffusion material. (Transmission not available).
C3020 Cinegel #3020: Light Opal Tough Frost
Our most subtle diffusion material. Also great for use in the background of a shot to soften the image and alter depth-of-field. (Transmission not available).
C3040 Cinegel #3040: Powder Frost
A slight to medium diffuser that softens and broadens the beam, yet retains general beam character. Good transmission and whiteness. Excellent for softening harsh edges or enclosed-arc point sources (HMI, Xenon). (Transmission not available).
C3026 Cinegel #3026: Tough White Diffusion (216)
A moderate diffuser with properties similar to tracing paper. Creates an even field of soft light with minimal color temperature shift. Tough, heat resistant base. (Transmission not available).
C3027 Cinegel #3027: Tough 1/2 White Diffusion (1/2 216)
Similar characteristics to Tough White Diffusion, but less dense. Tough, heat resistant base. (Transmission not available).
C3028 Cinegel #3028: Tough 1/4 White Diffusion (1/4 216)
Similar characteristics to Tough 1/2 White Diffusion, but less dense. Tough, heat resistant base. (Transmission not available).
C3000 Cinegel #3000: Tough Rolux
A dense diffuser that creates an even field of soft, "shadowless" light. Excellent for combining multiple lighting fixtures into a single, large area source. Tough, heat resistant base. (Transmission not available).
C3001 Cinegel #3001: Light Tough Rolux
Similar characteristics to Tough Rolux, but less dense. Tough, heat resistant base. (Transmission not available).
C3030 Cinegel #3030: Grid Cloth
A reinforced diffusion material that is similar to the silk used in butterflies and overheads. Ideal for tenting and large area diffusion. Can be sewn and grommetted. (Transmission not available).
C3032 Cinegel #3032: Light Grid Cloth
Similar characteristics to Grid Cloth, but less dense. Can be sewn and grommetted. (Transmission not available).
C3034 Cinegel #3034: 1/4 Grid Cloth
Similar characteristics to Grid Cloth, but less dense. Can be sewn and grommetted. (Transmission not available).
C3060 Cinegel #3060: Silent Grid Cloth
A reinforced, woven diffusion material. Similar properties to Grid Cloth (#3030), but quiet when used outdoors in windy conditions. Can be sewn and grommetted. (60" x 20' rolls) (Transmission not available).
C3062 Cinegel #3062: Silent Light Grid Cloth
A reinforced, woven diffusion material. Similar properties to Light Grid Cloth (#3032), but quiet when used outdoors in windy conditions. Can be sewn and grommetted. (60" x 20' rolls) (Transmission not available).
C3064 Cinegel #3064: Silent 1/4 Grid Cloth
A reinforced woven diffusion material. Similar properties to 1/4 Grid Cloth (#3034), but quiet when used outdoors in windy conditions. Can be sewn or grommeted. Extra wide 60 in. (60" x 20' rolls) (Transmission not available).
C3071 Cinegel #3071: Full Blue Grid Cloth
A reinforced diffusion material that raises the Kelvin temperature of a light source. (Transmission not available).
C3072 Cinegel #3072: Half Blue Silent Dyed Grid Cloth
Reinforced diffusion material that will raise Kelvin temperature of a light source. (Transmission not available).
C3073 Cinegel #3073: 1/4 Blue Grid Cloth
A reinforced diffusion material that raises the Kelvin temperature of a light source. (Transmission not available).
C3081 Cinegel #3081: Full Straw Grid Cloth
A reinforced diffusion material that lowers the Kelvin temperature of a light source. (Transmission not available).
C3082 Cinegel #3082: Half Straw Silent Dyed Grid Cloth
Reinforced diffusion material that will lower the Kelvin temperature of a Light source. (Transmission not available).
C3083 Cinegel #3083: 1/4 Straw Grid Cloth
A reinforced diffusion material that lowers the Kelvin temperature of a light source. (Transmission not available).
C3090 Cinegel #3090: Moonlight Silent Dyed Grid Cloth
A reinforced diffusion that, when placed in front of an HMI light, creates a soft moonlight effect. Also can be use on tungsten lights as a correction to match cool white fluorescent. (Transmission not available).
C3029 Cinegel #3029: Silent Frost
A relatively dense diffuser that creates a smooth field of soft, "shadowless" light. Excellent for frames and overheads. Particularly useful outdoors when wind causes a noise problem with other plastic diffusers. (Transmission not available).
C3014 Cinegel #3014: Hilite
A moderate diffuser that offers high transmission with minimal color temperature shift. Ideal for tenting or large area diffusion. Can be custom welded into largr panels. (Transmission not available).
C3002 Cinegel #3002: Soft Frost
A relatively dense diffuser that creates an even field of soft, "shadowless" light. Excellent for combining multiple lights into a single, large area source. (Transmission not available).
C3004 Cinegel #3004: Half Density Soft Frost
Similar characteristics to Soft Frost, but less dense. (Transmission not available).
C3011 Cinegel #3011: Tough Silk
A medium diffuser with directional properties. Spreads beam to create a wash for eliminating the scallop effect created by light spaces and extreme lighting angles. (Transmission not available).
C3015 Cinegel #3015: Light Tough Silk
Similar characteristics to Tough Silk, but less dense. (Transmission not available).
View the Spectral Energy Distribution Curve C3114 Cinegel #3114: Tough UV Filter
Mired Shift +8 A virtually clear filter that absorbs 90% of UV wavelengths below 390 nm. Absorbs excess UV output of standard fluorescent bulbs and HMI with minimal color temperature shift Deep-dyed base. (Transmission = 94%). (FStop: -0.1s)
View the Spectral Energy Distribution Curve C3107 Cinegel #3107: Tough Y-1
Mired Shift +45 A pale straw filter standard in U.S. for use on HMI or white flame arcs to absorb UV and reduce Kelvin for daylight balance. Deep-dyed base. (Transmission = 93%). (FStop: -0.1s)
View the Spectral Energy Distribution Curve C3134 Cinegel #3134: Tough MT 54
Mired Shift +35 A straw correction for white flame arcs and HMI. Deep-dyed base. (Transmission = 83%). (FStop: -0.3s)
View the Spectral Energy Distribution Curve C3106 Cinegel #3106: Tough MTY
Mired Shift +131 A single filter combining MT2 and Y-1 for correcting 5500K white flame arcs and HMI to 3200K. Deep-dyed base. (Transmission = 57%). (FStop: -0.8s)
View the Spectral Energy Distribution Curve C3102 Cinegel #3102: Tough MT2
Mired Shift +110 Used in combination with Y-1 for correcting 5500K white flame arcs and HMI to 3200K. Also used as an amber conversion filter for arcs and HMI. Deep-dyed base. (Transmission = 66%). (FStop: -0.6s)
C3801 Cinegel #3801: Roscoflex M
A specular mirror surface for long throw reflectors or as a relay mirror to reflect the sun into a second reflector board. Tough, durable base. (Transmission not available).
C3802 Cinegel #3802: Roscoflex H
Matches the reflective characteristics of the traditional "hard" side of a reflector board. For long throw or situations requiring strongly directed light. Tough, durable base. (Transmission not available).
C3803 Cinegel #3803: Roscoflex S
Matches the reflective characteristics of the traditional "soft" leaf side of a reflector board. For short to medium throws and moderately wide coverage. Tough, durable base. (Transmission not available).
C3804 Cinegel #3804: Roscoflex SS
A "supersoft" reflector that produces a wider coverage at shorter distances than the Roscoflex S. Tough, durable base. (Transmission not available).
C3805 Cinegel #3805: Roscoflex G
A soft reflector combined with a warm gold tint. Useful for creating an early morning or late afternoon appearance. Tough, durable base. (Transmission not available).
C3812 Cinegel #3812: Featherflex S/G
Virtually weightless reflector material that conforms to any shape. Useful to reflect light in tight spaces. Can be crumpled for a softer effect. Reversible silver or gold. (Transmission not available).
C3813 Cinegel #3813: Thin Mirror - S
Virtually weightless silver mirror material that conforms to any shape. Tough, durable base. (Transmission not available).
C3814 Cinegel #3814: Thin Mirror - G
Virtually weightless gold mirror material that conforms to any shape. Tough, durable base. (Transmission not available).
C3809 Cinegel #3809: Roscoscrim
A perforated material with a metalized silver side that when used as window scrim helps reflect radiated heat. Roscoscrim is also very useful as a reflector in high wind locations. (Transmission not available).
C3840 Cinegel #3840: Cinebounce White/Black
A double-sided opaque grid material. Black side for negative fill applications. White side for soft bounce effect, comparable to bead board or show card. Extra-wide 60 in. (Transmission not available).
View the Spectral Energy Distribution Curve C4215 Cinegel #4215: 15 Blue
Photographic lighting filter equal to CC15B. Enhances blue transmission by effectively reducing green and red exposure by 1/2 stop. Heat resistant base. Deep dyed. (Transmission = 57%). (FStop: -0.8)
View the Spectral Energy Distribution Curve C4230 Cinegel #4230: 30 Blue
Photographic lighting filter equal to CC30B. Enhances blue transmission by effectively reducing green and red exposure by 1 stop. Heat resistant base. Deep dyed. (Transmission = 42%). (FStop: -1.3)
View the Spectral Energy Distribution Curve C4260 Cinegel #4260: 60 Blue
Photographic lighting filter equal to CC60B. Enhances blue transmission by effectively reducing green and red exposure by 2 stops. Heat resistant base. Deep dyed. (Transmission = 24%). (FStop: -2.1)
View the Spectral Energy Distribution Curve C4290 Cinegel #4290: 90 Blue
Photographic lighting filter equal to CC90B. Enhances blue transmission by effectively reducing green and red exposure by 3 stops. Heat resistant base. Deep dyed. (Transmission = 15%). (FStop: -2.8)
View the Spectral Energy Distribution Curve C4307 Cinegel #4307: 7 Cyan
Photographic lighting filter equal to CC07C. Enhances blue and green transmission by effectively reducing red exposure by 1/4 stop. Heat resistant base. Deep dyed. (Transmission = 79%). (FStop: -0.4)
View the Spectral Energy Distribution Curve C4315 Cinegel #4315: 15 Cyan
Photographic lighting filter equal to CC15C. Enhances blue and green transmission by effectively reducing red exposure by 1/2 stop. Heat resistant base. Deep dyed. (Transmission = 72%). (FStop: -0.5)
View the Spectral Energy Distribution Curve C4330 Cinegel #4330: 30 Cyan
Photographic lighting filter equal to CC30C. Enhances blue and green transmission by effectively reducing red exposure by 1 stop. Heat resistant base. Deep dyed. (Transmission = 63%). (FStop: -0.7)
View the Spectral Energy Distribution Curve C4360 Cinegel #4360: 60 Cyan
Photographic lighting filter equal to CC60C. Enhances blue and green transmission by effectively reducing red exposure by 2 stops. Heat resistant base. Deep dyed. (Transmission = 50%). (FStop: -1)
View the Spectral Energy Distribution Curve C4390 Cinegel #4390: 90 Cyan
Photographic lighting filter equal to CC90C. Enhances blue and green transmission by effectively reducing red exposure by 3 stops. Heat resistant base. Deep dyed. (Transmission = 39%). (FStop: -1.3)
View the Spectral Energy Distribution Curve C4415 Cinegel #4415: 15 Green
Photographic lighting filter equal to CC15G. Enhances green transmission by effectively reducing blue and red exposure by 1/2 stop. Heat resistant base. Deep dyed. (Transmission = 67%). (FStop: -0.6)
View the Spectral Energy Distribution Curve C4430 Cinegel #4430: 30 Green
Photographic lighting filter equal to CC30G. Enhances green transmission by effectively reducing blue and red exposure by 1 stop. Heat resistant base. Deep dyed. (Transmission = 52%). (FStop: -0.9)
View the Spectral Energy Distribution Curve C4460 Cinegel #4460: 60 Green
Photographic lighting filter equal to CC60G. Enhances green transmission by effectively reducing blue and red exposure by 2 stops. Heat resistant base. Deep dyed. (Transmission = 32%). (FStop: -1.6)
View the Spectral Energy Distribution Curve C4490 Cinegel #4490: 90 Green
Photographic lighting filter equal to CC90G. Enhances green transmission by effectively reducing blue and red exposure by 3 stops. Heat resistant base. Deep dyed. (Transmission = 18%). (FStop: -2.4)
View the Spectral Energy Distribution Curve C4515 Cinegel #4515: 15 Yellow
Photographic lighting filter equal to CC15Y. Enhances green and red transmission by effectively reducing blue exposure by 1/2 stop. Heat resistant base. Deep dyed. (Transmission = 80%). (FStop: -0.3)
View the Spectral Energy Distribution Curve C4530 Cinegel #4530: 30 Yellow
Photographic lighting filter equal to CC30Y. Enhances green and red transmission by effectively reducing blue exposure by 1 stop. Heat resistant base. Deep dyed. (Transmission = 75%). (FStop: -0.4)
View the Spectral Energy Distribution Curve C4560 Cinegel #4560: 60 Yellow
Photographic lighting filter equal to CC60Y. Enhances green and red transmission by effectively reducing blue exposure by 2 stops. Heat resistant base. Deep dyed. (Transmission = 70%). (FStop: -0.5)
View the Spectral Energy Distribution Curve C4590 Cinegel #4590: 90 Yellow
Photographic lighting filter equal to CC90Y. Enhances green and red transmission by effectively reducing blue exposure by 3 stops. Heat resistant base. Deep dyed. (Transmission = 66%). (FStop: -0.6)
View the Spectral Energy Distribution Curve C4615 Cinegel #4615: 15 Red
Photographic lighting filter equal to CC15R. Enhances red transmission by effectively reducing blue and green exposure by 1/2 stop. Heat resistant base. Deep dyed. (Transmission = 67%). (FStop: -0.6)
View the Spectral Energy Distribution Curve C4630 Cinegel #4630: 30 Red
Photographic lighting filter equal to CC30R. Enhances red transmission by effectively reducing blue and green exposure by 1 stop. Heat resistant base. Deep dyed. (Transmission = 55%). (FStop: -0.9)
View the Spectral Energy Distribution Curve C4660 Cinegel #4660: 60 Red
Photographic lighting filter equal to CC60R. Enhances red transmission by effectively reducing blue and green exposure by 2 stops. Heat resistant base. Deep dyed. (Transmission = 39%). (FStop: -1.4)
View the Spectral Energy Distribution Curve C4690 Cinegel #4690: 90 Red
Photographic lighting filter equal to CC90R. Enhances red transmission by effectively reducing blue and green exposure by 3 stops. Heat resistant base. Deep dyed. (Transmission = 30%). (FStop: -1.7)
View the Spectral Energy Distribution Curve C4715 Cinegel #4715: 15 Magenta
Photographic lighting filter equal to CC15M. Enhances blue and red transmission by effectively reducing green exposure by 1/2 stop. Heat resistant base. Deep dyed. (Transmission = 65%). (FStop: -0.6)
View the Spectral Energy Distribution Curve C4730 Cinegel #4730: 30 Magenta
Photographic lighting filter equal to CC30M. Enhances blue and red transmission by effectively reducing green exposure by 1 stop. Heat resistant base. Deep dyed. (Transmission = 52%). (FStop: -0.9)
View the Spectral Energy Distribution Curve C4760 Cinegel #4760: 60 Magenta
Photographic lighting filter equal to CC60M. Enhances blue and red transmission by effectively reducing green exposure by 2 stops. Heat resistant base. Deep dyed. (Transmission = 37%). (FStop: -1.4)
View the Spectral Energy Distribution Curve C4790 Cinegel #4790: 90 Magenta
Photographic lighting filter equal to CC90M. Enhances blue and red transmission by effectively reducing green exposure by 3 stops. Heat resistant base. Deep dyed. (Transmission = 28%). (FStop: -1.8)
View the Spectral Energy Distribution Curve C4815 Cinegel #4815: 15 Pink
Photographic lighting filter equal to 15M + 7Y. Enhances pink by effectively reducing green exposure by 0.5 stop and blue exposure 0.25 stop. Heat resistant base. Deep dyed. (Transmission = 71%). (FStop: -0.5)
View the Spectral Energy Distribution Curve C4830 Cinegel #4830: 30 Pink
Photographic lighting filter equal to 30M + 15Y. Enhances pink by effectively reducing green exposure by 1 stop and blue exposure 0.5 stop. Heat resistant base. Deep dyed. (Transmission = 61%). (FStop: -0.7)
View the Spectral Energy Distribution Curve C4860 Cinegel #4860: 60 Pink
Photographic lighting filter equal to 60M + 30Y. Enhances pink by effectively reducing green exposure by 2 stops and blue exposure 1 stop. Heat resistant base. Deep dyed. (Transmission = 46%). (FStop: -1.1)
View the Spectral Energy Distribution Curve C4890 Cinegel #4890: 90 Pink
Photographic lighting filter equal to 90M + 45Y. Enhances pink by effectively reducing green exposure by 3 stop and blue exposure 1.5 stops. Heat resistant base. Deep dyed. (Transmission = 38%). (FStop: -1.4)
View the Spectral Energy Distribution Curve C4915 Cinegel #4915: 15 Lavender
Photographic lighting filter equal to 15M + 7C. Enhances lavender by effectively reducing green exposure by 0.5 stop and red exposure 0.25 stop. Heat resistant base. Deep dyed. (Transmission = 61%). (FStop: -0.7)
View the Spectral Energy Distribution Curve C4930 Cinegel #4930: 30 Lavender
Photographic lighting filter equal to 30M + 15C. Enhances lavender by effectively reducing green exposure by 1 stop and red exposure 0.5 stop. Heat resistant base. Deep dyed. (Transmission = 47%). (FStop: -1.1)
View the Spectral Energy Distribution Curve C4960 Cinegel #4960: 60 Lavender
Photographic lighting filter equal to 60M + 30C. Enhances lavender by effectively reducing green exposure by 2 stops and red exposure 1 stop. Heat resistant base. Deep dyed. (Transmission = 29%). (FStop: -1.8)
View the Spectral Energy Distribution Curve C4990 Cinegel #4990: 90 Lavender
Photographic lighting filter equal to 90M + 45C. Enhances lavender by effectively reducing green exposure by 3 stop and red exposure 1.5 stops. Heat resistant base. Deep dyed. (Transmission = 18%). (FStop: -2.5)
View the Spectral Energy Distribution Curve C2001 Cinegel #2001: VS Red
Incendiary Red - great for fiery stage washes (Transmission = 12%). (FStop: -3.1s)
View the Spectral Energy Distribution Curve C2002 Cinegel #2002: VS Orange
Flattering Firelight (Transmission = 23%). (FStop: -2.1s)
View the Spectral Energy Distribution Curve C2003 Cinegel #2003: VS Yellow
Deep yellow with amber tones. Strong, late day sunlight. Flattering on skin. (Transmission = 64%). (FStop: -0.7s)
View the Spectral Energy Distribution Curve C2004 Cinegel #2004: VS Green
Rich, Saturated Cyan color. Equals Double #4390 180 Cyan - Great for moonlight (Transmission = 15%). (FStop: -2.7s)
View the Spectral Energy Distribution Curve C2005 Cinegel #2005: VS Cyan
Rich, Saturated Cyan color. Equals Double #4390 180 Cyan - Great for moonlight (Transmission = 18%). (FStop: -2.5s)
View the Spectral Energy Distribution Curve C2006 Cinegel #2006: VS Azure
Pure, crystalline blue (Transmission = 9%). (FStop: -3.5s)
View the Spectral Energy Distribution Curve C2007 Cinegel #2007: VS Blue
Rich deep indigo blue. (Transmission = 10%). (FStop: -3.3s)
View the Spectral Energy Distribution Curve C2008 Cinegel #2008: VS Indigo
Deep icy blue with violet undertones. Moonlight illusions. (Transmission = 4%). (FStop: -4.5s)
View the Spectral Energy Distribution Curve C2009 Cinegel #2009: VS Violet
Deep reddish purple. Nice as saturated special accent. (Transmission = 3%). (FStop: -5.0s)
View the Spectral Energy Distribution Curve C2010 Cinegel #2010: VS Magenta
Crisp and clean magenta with a nice balance of red and blue (Transmission = 28%). (FStop: -1.8s)
View the Spectral Energy Distribution Curve C02 Cinelux #02: Bastard Amber
Good where a tint of color is needed. Excellent for natural skin tones. (Transmission = 78%). (FStop: -0.4s)
View the Spectral Energy Distribution Curve C302 Cinelux #302: Pale Bastard Amber
Very pale warm white. Perfect for enhancing the HPL lamp in a Source Four. (Transmission = 88%). (FStop: -0.2s)
View the Spectral Energy Distribution Curve C06 Cinelux #06: No Color Straw
Slightly off white. Good for interiors. (Transmission = 92%). (FStop: -0.3s)
View the Spectral Energy Distribution Curve C08 Cinelux #08: Pale Gold
Warmer straw. Flattering to skin tones. (Transmission = 86%). (FStop: -0.2s)
View the Spectral Energy Distribution Curve C310 Cinelux #310: Daffodil
A soft medium yellow. Can be used for creating naturalistic effects such as early morning sunlight or for special effects. (Transmission = 82%). (FStop: -0.3s)
View the Spectral Energy Distribution Curve C12 Cinelux #12: Straw
Yellow with a slight greenish skew. Good for special effects and accents. Use with caution on skin tones. (Transmission = 88%). (FStop: -0.2s)
View the Spectral Energy Distribution Curve C16 Cinelux #16: Light Amber
Excellent area light. Light pink-amber tint. Safe for most light skin tones. (Transmission = 68%). (FStop: -0.6s)
View the Spectral Energy Distribution Curve C316 Cinelux #316: Gallo Gold
A pale reddish gold, good for golden hour at sunrise or sunset, or simulating incandescent light. A flattering naturalistic backlight color. (Transmission = 58%). (FStop: -0.8s)
View the Spectral Energy Distribution Curve C17 Cinelux #17: Light Flame
Heavier pink-amber tint. Useful for dance. Especially useful when balanced with a cool color. Good general warm tint in striplights. (Transmission = 56%). (FStop: -0.8s)
View the Spectral Energy Distribution Curve C18 Cinelux #18: Flame
Warm pinkish amber. Afternoon sunset. Good sidelight. (Transmission = 56%). (FStop: -0.8s)
View the Spectral Energy Distribution Curve C318 Cinelux #318: Mayan Sun
A medium salmon color which evokes feeling of a tropical island. A good sunset color. Interesting backlight and accent color. Good for warm tonal effects. (Transmission = 52%). (FStop: -0.9s)
View the Spectral Energy Distribution Curve C21 Cinelux #21: Golden Amber
Useful for amber cyc light and late sunsets. (Transmission = 43%). (FStop: -1.2s)
View the Spectral Energy Distribution Curve C321 Cinelux #321: Soft Golden Amber
An amber with some green content. A good sunlight transition color that shows the progression of the sun from white or yellow to amber later in the day. (Transmission = 39%). (FStop: -1.4s)
View the Spectral Energy Distribution Curve C23 Cinelux #23: Orange
Provides a romantic sunlight through windows for evening effects. (Transmission = 32%). (FStop: -1.6s)
View the Spectral Energy Distribution Curve C325 Cinelux #325: Henna Sky
Toasted red-amber color. Useful in re-creating setting sun or as a dramatic cyc. (Transmission = 18%). (FStop: -2.5s)
View the Spectral Energy Distribution Curve C26 Cinelux #26: Light Red
Vibrant red. Good alternative primary. (Transmission = 12%). (FStop: -3.1s)
View the Spectral Energy Distribution Curve C33 Cinelux #33: No Color Pink
A pale almost colorless pink. (Transmission = 65%). (FStop: -0.6s)
View the Spectral Energy Distribution Curve C333 Cinelux #333: Blush Pink
A pink tint that is excellent for most skin tones. Lighter than 33. (Transmission = 71%). (FStop: -0.5s)
View the Spectral Energy Distribution Curve C34 Cinelux #34: Flesh Pink
Useful for bright musicals. Creates a happy atmosphere. (Transmission = 45%). (FStop: -1.2s)
View the Spectral Energy Distribution Curve C37 Cinelux #37: Pale Rose Pink
A pink with a slightly bluish skew. (Transmission = 56%). (FStop: -0.8s)
View the Spectral Energy Distribution Curve C39 Cinelux #39: Skelton Exotic Sangria
A sultry, deep purple. Good for musicals or concert lighting. Excellent special effects color. (Transmission = 10%). (FStop: -3.3s)
View the Spectral Energy Distribution Curve C41 Cinelux #41: Salmon
Light orange with high blue content. (Transmission = 24%). (FStop: -2.1s)
View the Spectral Energy Distribution Curve C42 Cinelux #42: Deep Salmon
A perfect blend of Red and Pink for a bright, saturated wash. (Transmission = 8%). (FStop: -3.7s)
View the Spectral Energy Distribution Curve C44 Cinelux #44: Middle Rose
Musical pink. Lush accents. Very versatile color. (Transmission = 26%). (FStop: -2.0s)
View the Spectral Energy Distribution Curve C47 Cinelux #47: Light Rose Purple
Good for eerie or dramatic effects. Beautiful backlight color. (Transmission = 16%). (FStop: -2.0s)
View the Spectral Energy Distribution Curve C51 Cinelux #51: Surprise Pink
Touch of color when white light is not desirable. (Transmission = 54%). (FStop: -0.9s)
View the Spectral Energy Distribution Curve C59 Cinelux #59: Indigo
The original Congo Blue. A purple-blue, highly saturated, for modeling effects and non-realistic atmospheres. (Transmission = 2%). (FStop: -5.7s)
View the Spectral Energy Distribution Curve C60 Cinelux #60: No Color Blue
Helps maintain white light when dimmer is at low intensity. (Transmission = 62%). (FStop: -0.7s)
View the Spectral Energy Distribution Curve C360 Cinelux #360: Clearwater
Subtle blue tint. Can be used in place of 1/2 CTB if necessary (Transmission = 52%). (FStop: -0.9s)
View the Spectral Energy Distribution Curve C62 Cinelux #62: Booster Blue
Helps maintain white light when dimmer is at low intensity. (Transmission = 54%). (FStop: -0.9s)
View the Spectral Energy Distribution Curve C362 Cinelux #362: Tipton Blue
A smokey tint of light blue (Transmission = 32%). (FStop: -1.6s)
View the Spectral Energy Distribution Curve C364 Cinelux #364: Blue Bell
A clean light red blue. Creates naturalistic daylight fill color. (Transmission = 32%). (FStop: -1.6s)
View the Spectral Energy Distribution Curve C65 Cinelux #65: Daylight Blue
Useful for achieving depressed moods and dull skies. (Transmission = 35%). (FStop: -1.5s)
View the Spectral Energy Distribution Curve C365 Cinelux #365: Tharon Delft Blue
A medium-light blue with lavender undertones. (Transmission = 36%). (FStop: -1.5s)
View the Spectral Energy Distribution Curve C375 Cinelux #375: Cerulean Blue
A crisp, clean blue-green. Useful as a water effect or as a sidelight for dance. (Transmission = 32%). (FStop: -1.6s)
View the Spectral Energy Distribution Curve C376 Cinelux #376: Bermuda Blue
A soothing green blue. A good conventional moonlight color. Interesting tonal color. (Transmission = 6%). (FStop: -4.1s)
View the Spectral Energy Distribution Curve C77 Cinelux #77: Green Blue
Distinctive greenish blues. Useful for romantic moonlight. (Transmission = 9%). (FStop: -3.5s)
View the Spectral Energy Distribution Curve C378 Cinelux #378: Alice Blue
A rich clean red blue that warms to lavender when dimmed. (Transmission = 15%). (FStop: -2.7s)
View the Spectral Energy Distribution Curve C80 Cinelux #80: Primary Blue
Our most popular color! Vibrant Blue Wash Filter. (Transmission = 9%). (FStop: -3.5s)
C381 Cinelux #381: Baldassari Blue
Saturated color created for Lighting Designer Mike Baldassari - It's Double #3220 Double Blue (Transmission = 6%). (FStop: -4.1s)
View the Spectral Energy Distribution Curve C83 Cinelux #83: Medium Blue
Good for non-realistic night skies. (Transmission = 4%). (FStop: -4.7s)
View the Spectral Energy Distribution Curve C87 Cinelux #87: Pale Yellow Green
Sunny spring mornings. (Transmission = 85%). (FStop: -0.2s)
View the Spectral Energy Distribution Curve C88 Cinelux #88: Light Green
Sunny spring mornings. (Transmission = 82%). (FStop: -0.3s)
View the Spectral Energy Distribution Curve C89 Cinelux #89: Moss Green
Useful for mood, mystery and toning. (Transmission = 45%). (FStop: -1.2s)
View the Spectral Energy Distribution Curve C91 Cinelux #91: Primary Green
Primary green for three color primary system. (Transmission = 7%). (FStop: -3.8s)
View the Spectral Energy Distribution Curve C92 Cinelux #92: Turquoise
Useful for mood of mystery and for toning scenery that has been spattered in blues. (Transmission = 59%). (FStop: -0.8s)
View the Spectral Energy Distribution Curve C93 Cinelux #93: Blue Green
Useful for mood of mystery and for toning scenery that has been spattered in blues. (Transmission = 35%). (FStop: -1.5s)
View the Spectral Energy Distribution Curve C97 Cinelux #97: Light Grey
Neutral greys to reduce intensity without affecting color temperature. (Transmission = 50%). (FStop: -1.0s)
View the Spectral Energy Distribution Curve C397 Cinelux #397: Pale Grey
Neutral grey to reduce intensity without affecting color temperature. (Transmission = 70%). (FStop: -0.5s)
View the Spectral Energy Distribution Curve C98 Cinelux #98: Medium Grey
Helpful in balancing brightness of lamps of different wattage. (Transmission = 25%). (FStop: -2.0s)
View the Spectral Energy Distribution Curve C99 Cinelux #99: Chocolate
Warms light and reduces intensity. (Transmission = 35%). (FStop: -1.5s)

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