Roscolux - rosco.com

Roscolux is comprised of two types of plastic. More than 65% of the line is made from co-extruded polycarbonate plastic. The remainder of the line is deep dyed polyester. Sheets: 50 x 61 cm Rolls: 1.2m x 7.62m

How Color Filters Work
Filters create color by subtracting certain wavelengths of color. Thus, a red filter absorbs blue and green, allowing only the red wavelengths to pass. The process is subtractive, not additive, so the light source must emit a full spectrum.

The Rosco swatchbook provides detailed information on the spectral energy curve of each filter. The curve describes the wavelengths of color transmitted through each filter. For example, Roscolux 342 transmits approximately 40% of the violet and blue energy of the spectrum and 75% of the orange and red energy. It absorbs all energy in the yellow and green range.

Durability
The life of color filters depends on many variables: the color, the instrument and lamp used, the dimmer level a filter generally runs at, and the amount of time the light is running. For these reasons it is impossible to assign a "life" for each filter. However some basics knowledge and experience can help with estimates. Dark green and dark blue filters usually burn out the fastest because they absorb the most infrared energy. Absorbing the extra infrared energy causes the plastic to reach it's melting temperature faster. When darker filters are needed try choosing filters that transmit high amounts of the 700 nm range. You can find this information by looking at the Spectral Energy Distribution (S.E.D.) curve located in the swatchbook for each Roscolux color filter. Filters than transmit high levels at 700 nm may also transmit high levels in the infrared range above 700 nm.(See the Roscolux swatchbook for information on how to read S.E.D. curves.)

To prolong the life of a color filter, align your ellipsoidal lamp to a flat field focus. (Get rid of the hot spot.) You can increase the distance between the lamp and the filter by using a top hat or barn door. In extreme cases, try Rosco Heat Shield or Thermashield to prolong the life of your filters.

Never use a plastic filter directly in front of an open faced lamp. This will nearly always cause premature failure because the heat is trapped and it has nowhere to go except to the plastic filter. Always allow a suitable air gap.

How To Read An S.E.D. Curve
The spectral energy distribution curve of each Roscolux filter describes the wavelengths of color transmitted through the individual filters. For example, Roscolux #342 transmits approximately 40% of the violet and blue energy of the spectrum and 75% of the orange and red energy. It blocks all energy in the yellow and green range.

The "Trans." Percentage refers to overall light transmission that is allowed to pass through each individual filter.

Available in sheets of 20in. x 24in. (50cm x 61cm) or rolls of 24in. x 25ft. (61cm x 7.62m).

Color Effects Filters

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		R3410 Roscolux #3410: Roscosun 1/8 CTO Converts 5500K to 4900K (Transmission = 92%).
		R3409 Roscolux #3409: Roscosun 1/4 CTO Converts 5500K to 4500K (Transmission = 81%).
		R3408 Roscolux #3408: Roscosun 1/2 CTO Converts 5500K to 3800K (Transmission = 73%).
		R3411 Roscolux #3411: Roscosun 3/4 CTO Converts 5500K to 3200K. Nice strong amber. Less pink than R04. (Transmission = 58%).
		R3407 Roscolux #3407: Roscosun CTO Converts 5500K to 2900K (Transmission = 47%).
		R3444 Roscolux #3444: Eighth Straw (1/8 CTS) A yellower (or less red) version of 1/8 CTO. Converts 5500K daylight to 4900K. Deep-dyed base. (Transmission = 92%).
		R3443 Roscolux #3443: Quarter Straw (1/4 CTS) A yellower (or less red) version of 1/4 CTO. Converts 5500K daylight to 4500K. Deep-dyed base. (Transmission = 81%).
		R3442 Roscolux #3442: Half Straw (1/2 CTS) A yellower (or less red) version of 1/2 CTO. Converts 5500K daylight to 3800K. Deep-dyed base. (Transmission = 73%).
		R3441 Roscolux #3441: Full Straw (CTS) A yellower (or less red) version of Full CTO. Converts 5500K daylight to 2900K. Deep-dyed base. (Transmission = 50%).
		R3310 Roscolux #3310: Fluorofilter Converts U.S. Cool White or Daylight type fluorescent lamps to 3200K photographic tungsten and removes the excess green. Available in rolls, sheets or sleeves. Deep-dyed base. (Transmission = 3%).
		R3152 Roscolux #3152: Urban Vapor Creates the visual reddish-orange appearance of sodium vapor street lights without the green found in sodium vapor sources. (Transmission = 29%).
		R3405 Roscolux #3405: Roscosun 85 N.3 Combines the effect of the 85 and N.3 filters. Extra-wide 60 in. Optically clear. (Transmission = 33%).
		R3406 Roscolux #3406: Roscosun 85 N.6 Combines the effect of the 85 and N.6 filters. Extra-wide 60 in. Optically clear. (Transmission = 17%).
		R3150 Roscolux #3150: Industrial Vapor Converts standard tungsten to sodium vapor. (Transmission = 38%).
		R4515 Roscolux #4515: CalColor 15 Yellow Very pale yellow. Interior lighting to create industrial mood. (Transmission = 80%).
		R4530 Roscolux #4530: CalColor 30 Yellow Double 4515. Medium yellow with green tone. Bright sunlight accents. Not flattering on skin. Combine with 4430 for rich foliage washes. (Transmission = 75%).
		R4560 Roscolux #4560: CalColor 60 Yellow Double 4530. Strong yellow with green tone. Deep sunlight rays. (Transmission = 70%).
		R4590 Roscolux #4590: CalColor 90 Yellow 4530 + 4560. Very strong sunlight with no red accents. (Transmission = 66%).
		R2002 Roscolux #2002: Storaro Orange Flattering Firelight (Transmission = 23%).
		R2003 Roscolux #2003: Storaro Yellow Deep yellow with amber tones. Strong, late day sunlight. Flattering on skin. (Transmission = 64%).
		R4615 Roscolux #4615: CalColor 15 Red Very pale red. Subtle warming on skin tones. Warmer than R05. (Transmission = 67%).
		R4630 Roscolux #4630: CalColor 30 Red Double 4615. Pale red with peach tones. Nice on skin when paired with a cooler cross light. (Transmission = 55%).
		R4660 Roscolux #4660: CalColor 60 Red Double 4630. Medium red with pale salmon accents. Romantic subtle back or side lighting. (Transmission = 39%).
		R4690 Roscolux #4690: CalColor 90 Red 4660 + 4630. Strong salmon red. Deeper and more orange than 32. Beautiful backlight. (Transmission = 30%).
		R2001 Roscolux #2001: Storaro Red Incendiary Red - great for fiery stage washes (Transmission = 12%).
		R4815 Roscolux #4815: CalColor 15 Pink Between 33 and 333. Excellent on all skin tones. Not as cool as 333. (Transmission = 71%).
		R4830 Roscolux #4830: CalColor 30 Pink Double 4815. Pretty pink. Slightly more blue than 34. Nice for musicals and "happy" lighting. (Transmission = 61%).
		R4860 Roscolux #4860: CalColor 60 Pink Double 4830. Rich pink accent. Excellent in follow-spots. (Transmission = 46%).
		R4890 Roscolux #4890: CalColor 90 Pink 4830 + 4860. Deep rich pink. Lighter than 332. Romantic backlight or accent color. (Transmission = 38%).
		R3318 Roscolux #3318: Tough 1/8 Minusgreen Partial green absorbing filter. (Transmission = 89%).
		R3314 Roscolux #3314: Tough 1/4 Minusgreen Partial green absorbing filter. (Transmission = 81%).
		R3313 Roscolux #3313: Tough 1/2 Minusgreen Partial green absorbing filter. (Transmission = 71%).
		R3308 Roscolux #3308: Tough Minusgreen Converts cool white fluorescents to daylight. (Transmission = 55%).
		R3309 Roscolux #3309: 3/4 Minusgreen Reduces green output from fluorescent and other discharge sources. Equivalent to CC22.5 Magenta. (Transmission = 65%).
		R4715 Roscolux #4715: CalColor 15 Magenta Pale Magenta. Cooler than 3318. Useful on many skin tones. (Transmission = 65%).
		R4730 Roscolux #4730: CalColor 30 Magenta Double 4715. Medium cool magenta. Nice fill light without adding warmth. (Transmission = 52%).
		R4760 Roscolux #4760: CalColor 60 Magenta Double 4730. Strong pink/magenta. Interesting side light with slight bluish cast. (Transmission = 37%).
		R4790 Roscolux #4790: CalColor 90 Magenta 4760 + 4730. Clean dominant magenta. Good choice for CYM color mixing. (Transmission = 28%).
		R4915 Roscolux #4915: CalColor 15 Lavender Pale no color lavender. Slightly cooler than 351. Tones without adding color. (Transmission = 61%).
		R4930 Roscolux #4930: CalColor 30 Lavender Double 4915. Excellent cool on skin tones. Nice warm tones during nighttime. (Transmission = 47%).
		R4960 Roscolux #4960: CalColor 60 Lavender Double 4930. Rich comfortable lavender. Compliments darker skin tones. (Transmission = 29%).
		R4990 Roscolux #4990: CalColor 90 Lavender 4960 + 4930. Dynamic, lush backlight. More red than 357. (Transmission = 18%).
		R3216 Roscolux #3216: Eighth Blue CTB Boosts 3200K to 3300K (Transmission = 81%).
		R3208 Roscolux #3208: Quarter Blue CTB Boosts 3200K to 3500K (Transmission = 74%).
		R3206 Roscolux #3206: Third Blue CTB Boosts 3200K to 3800K (Transmission = 64%).
		R3204 Roscolux #3204: Half Blue CTB Boosts 3200K to 4100K (Transmission = 52%).
		R3203 Roscolux #3203: Three Quarter Blue CTB Mired Shift -100 Boosts 3200K sources to 4700K. Used when a partial conversion is desired, or when daylight is below 5000K. Deep-dyed base. (Transmission = 41%).
		R3202 Roscolux #3202: Full Blue CTB Boosts 3200K to 5500K (Transmission = 36%).
		R3220 Roscolux #3220: Double Blue CTB Bright nighttime area light. Crisp moonlight. (Transmission = 10%).
		R4215 Roscolux #4215: CalColor 15 Blue Very pale blue tint with a hint of red. Nice no-color definition when crossed with 51. (Transmission = 57%).
		R4230 Roscolux #4230: CalColor 30 Blue Double 4215. Pale blue with reddish cast. (Transmission = 42%).
		R4260 Roscolux #4260: CalColor 60 Blue Double 4230. Medium blue with red tones. Nice cool crosslight on most skin tones. (Transmission = 24%).
		R4290 Roscolux #4290: CalColor 90 Blue 4260 + 4230. Deep red blue. Enhances deep blues in costumes and scenery. Vibrant backlight. (Transmission = 15%).
		R2006 Roscolux #2006: Storaro Azure Pure, crystalline blue (Transmission = 9%).
		R2007 Roscolux #2007: Storaro Blue Rich deep indigo blue. Slightly more red than 81. (Transmission = 10%).
		R2008 Roscolux #2008: Storaro Indigo Deep icy blue with violet undertones. Moonlight illusions. (Transmission = 4%).
		R2009 Roscolux #2009: Storaro Violet Deep reddish purple. Nice as saturated special accent. (Transmission = 3%).
		R4307 Roscolux #4307: CalColor 7.5 Cyan Photographic lighting filter equal to CC07C. Enhances blue and green transmission by effectively reducing red exposure by 1/4 stop. Heat resistant base. Deep dyed. (Transmission = 79%).
		R4315 Roscolux #4315: CalColor 15 Cyan Very pale blue green. Interesting industrial daytime skies. Use with caution on skin tones. (Transmission = 72%).
		R4330 Roscolux #4330: CalColor 30 Cyan Double 4315. Slightly greener than "normal" daylight. Uncomfortable skylight. (Transmission = 63%).
		R4360 Roscolux #4360: CalColor 60 Cyan Double 4330. Strong eerie daylight. Simulates fluorescent and industrial light sources. (Transmission = 50%).
		R4390 Roscolux #4390: CalColor 90 Cyan 4360 + 4330. Strong cyan. Fantasy water scenes. (Transmission = 39%).
		R2005 Roscolux #2005: Storaro Cyan Rich, Saturated Cyan color. Equals Double #4390 180 Cyan - Great for moonlight (Transmission = 18%).
		R3317 Roscolux #3317: Tough 1/8 Plusgreen Adds partial green to balance with fluorescents. (Transmission = 93%).
		R3316 Roscolux #3316: Tough 1/4 Plusgreen Adds partial green to balance with fluorescents. (Transmission = 92%).
		R3315 Roscolux #3315: Tough 1/2 Plusgreen Adds partial green to balance with fluorescents. (Transmission = 90%).
		R3304 Roscolux #3304: Tough Plusgreen To balance daylight sources to cool white fluorescents. (Transmission = 76%).
		R4415 Roscolux #4415: CalColor 15 Green Pale, balanced green without yellow tones. Nice for leaf breakups and foliage washes. (Transmission = 67%).
		R4430 Roscolux #4430: CalColor 30 Green Double 4415. Golden green wash. Less saturated but strong, balanced green. Excellent for exterior landscaping. (Transmission = 52%).
		R4460 Roscolux #4460: CalColor 60 Green Double 4430. Rich bright green. Good transmission of color. (Transmission = 32%).
		R4490 Roscolux #4490: CalColor 90 Green 4460 + 4430. Bright saturated clean green. (Transmission = 18%).
		R2004 Roscolux #2004: Storaro Green Strong dominant green. Less yellow than 90. "Christmas tree" green. (Transmission = 15%).
		R00 Roscolux #00: Dempster Open White A durable, heat resistant polycarbonate film used in the preparation of color scrollers to allow the passage from a color to clear. (Transmission = 96%).
		R01 Roscolux #01: Light Bastard Amber Enhances fair skin tones. Suggests strong sunlight. (Transmission = 56%).
		R02 Roscolux #02: Bastard Amber Good where a tint of color is needed. Excellent for natural skin tones. (Transmission = 78%).
		R302 Roscolux #302: Pale Bastard Amber Very pale warm white. Perfect for enhancing the HPL lamp in a Source Four. (Transmission = 88%).
		R03 Roscolux #03: Dark Bastard Amber Most saturated Bastard Amber. (Transmission = 62%).
		R303 Roscolux #303: Warm Peach Heavier Amber-pink tint. Useful to create warm sunlight. (Transmission = 55%).
		R04 Roscolux #04: Medium Bastard Amber Especially useful when cross lit with a cool color. Excellent for natural sunlight. (Transmission = 66%).
		R304 Roscolux #304: Pale Apricot A peach amber. More yellow than 305. (Transmission = 79%).
		R05 Roscolux #05: Rose Tint A clean pale pink; useful as a blush for skin tones. (Transmission = 80%).
		R305 Roscolux #305: Rose Gold A pale blush amber for skin tones and backlight. (Transmission = 75%).
		R06 Roscolux #06: No Color Straw Slightly off white. Good for interiors. (Transmission = 92%).
		R07 Roscolux #07: Pale Yellow Double saturation of 06. (Transmission = 96%).
		R08 Roscolux #08: Pale Gold Warmer straw. Flattering to skin tones. (Transmission = 86%).
		R09 Roscolux #09: Pale Amber Gold Deep straw. Good for late afternoon sunsets or firelight. (Transmission = 74%).
		R10 Roscolux #10: Medium Yellow Yellow with green. Good for special effects. Unflattering in acting areas. (Transmission = 92%).
		R310 Roscolux #310: Daffodil A soft medium yellow. Can be used for creating naturalistic effects such as early morning sunlight or for special effects. (Transmission = 82%).
		R11 Roscolux #11: Light Straw Pale yellow with slight red content. Useful for candle effects. Can be used for area lighting. For bright day feeling. (Transmission = 82%).
		R12 Roscolux #12: Straw Greener yellow than 10. Special effects and accents. Use with caution on skin tones. (Transmission = 88%).
		R312 Roscolux #312: Canary Warmer than 10. A bright, vibrant yellow that evokes exotic sunlight. Use with caution on skin. (Transmission = 85%).
		R13 Roscolux #13: Straw Tint Much less green than in other straws. Suggests warm sunlight glow when contrasted with ambers and blues. (Transmission = 78%).
		R313 Roscolux #313: Light Relief Yellow Vibrant Yellow. More red than 312. Less green than all other yellows. (Transmission = 76%).
		R14 Roscolux #14: Medium Straw Pale amber-higher red content than 12. Sunlight, accents, area lighting with caution to skin tones. (Transmission = 68%).
		R15 Roscolux #15: Deep Straw Warm golden amber with some green. Useful for special effects-candlelight, firelight. (Transmission = 65%).
		R16 Roscolux #16: Light Amber Excellent area light. Light pink-amber tint. Safe for most light skin tones. (Transmission = 68%).
		R316 Roscolux #316: Gallo Gold A pale reddish gold, good for creating sunrise or sunset, or simulating incandescent light. A flattering naturalistic backlight color. Can be used for warm area lighting. (Transmission = 58%).
		R17 Roscolux #17: Light Flame Heavier pink-amber tint. Useful for dance. Especially useful when balanced with a cool color. Good general warm tint in striplights. (Transmission = 56%).
		R317 Roscolux #317: Apricot A rosy amber which produces a romantic sunset color. Useful as sidelight or backlight color. (Transmission = 51%).
		R18 Roscolux #18: Flame Warm pinkish amber. Afternoon sunset. Good sidelight. (Transmission = 56%).
		R318 Roscolux #318: Mayan Sun A medium salmon color which evokes feeling of a tropical island. A good sunset color. Interesting backlight and accent color. Good for warm tonal effects. (Transmission = 52%).
		R19 Roscolux #19: Fire Strong red amber. Excellent for fire effects. (Transmission = 20%).
		R20 Roscolux #20: Medium Amber Afternoon sunlight. Lamplight and candlelight. Tends to depress color pigment values. (Transmission = 54%).
		R21 Roscolux #21: Golden Amber Useful for amber cyc light and late sunsets. (Transmission = 43%).
		R321 Roscolux #321: Soft Golden Amber An amber with some green content. A good sunlight transition color that shows the progression of the sun from white or yellow to amber later in the day. (Transmission = 39%).
		R22 Roscolux #22: Deep Amber Very useful as a backlight. Dramatic specials and firelight. (Transmission = 26%).
		R23 Roscolux #23: Orange Provides a romantic sunlight through windows for evening effects. (Transmission = 32%).
		R24 Roscolux #24: Scarlet Very deep amber. Red with a touch of blue. (Transmission = 22%).
		R324 Roscolux #324: Gypsy Red Vibrant orange-red. Helps red and orange scenery pop. (Transmission = 31%).
		R25 Roscolux #25: Orange Red Good for firelight or special effects. Use when red with higher yellow content is needed. (Transmission = 14%).
		R325 Roscolux #325: Henna Sky Toasted red-amber color. Useful in re-creating setting sun or as a dramatic cyc. (Transmission = 18%).
		R26 Roscolux #26: Light Red Vibrant red. Good alternative primary. (Transmission = 12%).
		R27 Roscolux #27: Medium Red Good red primary for use with three-color light primary systems in cyclorama lighting, footlights, and border lights. (Transmission = 4%).
		R30 Roscolux #30: Light Salmon Pink Excellent for general area washes. Gives overall warming effect to skin tones. (Transmission = 44%).
		R31 Roscolux #31: Salmon Pink General wash. Good for follow spots. (Transmission = 46%).
		R331 Roscolux #331: Shell Pink Warmer and lighter than 31. Good for fair skin tones and to emphasize romance. (Transmission = 68%).
		R32 Roscolux #32: Medium Salmon Pink Deepest of the salmon pinks. (Transmission = 28%).
		R332 Roscolux #332: Cherry Rose A tropical pink that is good for musicals or concert lighting. A good backlight color. Interesting accent color. Good for a splash of sunset color. (Transmission = 38%).
		R33 Roscolux #33: No Color Pink A pale almost colorless pink. (Transmission = 65%).
		R333 Roscolux #333: Blush Pink A pink tint that is excellent for most skin tones. A good color for warm area lighting. Lighter than 33. (Transmission = 71%).
		R34 Roscolux #34: Flesh Pink Useful for bright musicals. Creates a happy atmosphere. (Transmission = 45%).
		R35 Roscolux #35: Light Pink Similar to 33, but slightly deeper. (Transmission = 66%).
		R36 Roscolux #36: Medium Pink Good for general washes and cross lighting. (Transmission = 46%).
		R336 Roscolux #336: Billington Pink (Transmission = 48%).
		R37 Roscolux #37: Pale Rose Pink Blue Pink, Use in general washes and toning. (Transmission = 56%).
		R337 Roscolux #337: True Pink A cool pink excellent for washes and general illumination. A good follow spot color. A component of early morning sunrise. (Transmission = 55%).
		R38 Roscolux #38: Light Rose Similar uses as 37, but with greater saturation. (Transmission = 49%).
		R339 Roscolux #339: Broadway Pink A deep, saturated pink created for musicals and specials. Excellent for down and backlighting. (Transmission = 15%).
		R39 Roscolux #39: Skelton Exotic Sangria A sultry, deep purple. Good for musicals or concert lighting. Excellent special effects color. (Transmission = 10%).
		R40 Roscolux #40: Light Salmon Similar uses to 23 but a bluer color. (Transmission = 34%).
		R41 Roscolux #41: Salmon Light orange with high blue content. (Transmission = 24%).
		R42 Roscolux #42: Deep Salmon More red than 342. (Transmission = 8%).
		R342 Roscolux #342: Rose Pink Extremely intense, hot pink. Produces strong washes of color for concert and dance. Combined with a complimentary color like turquoise, will create a dynamic, sculptured effect. (Transmission = 16%).
		R43 Roscolux #43: Deep Pink Rich, hot pink. Electric in effect with rich saturation. (Transmission = 28%).
		R343 Roscolux #343: Neon Pink A bright, dark pink excellent for musicals or rock and roll concert lighting. A good color for creating fake neon effects with fluorescent tubes. (Transmission = 33%).
		R44 Roscolux #44: Middle Rose Musical pink. Lush accents. Very versatile color. (Transmission = 26%).
		R344 Roscolux #344: Follies Pink A vibrant, almost fluorescent pink with a cool component. Traditionally important as a special effects color in the Broadway musical. Follow spot and dance applications as a modeling color. (Transmission = 21%).
		R45 Roscolux #45: Rose Use on scenery and background effects. Adds tone and modeling to scenery. (Transmission = 8%).
		R46 Roscolux #46: Magenta Similar uses as 45 where more saturation is needed. (Trans.= 6%). (Transmission = 6%).
		R346 Roscolux #346: Tropical Magenta (Transmission = 22%).
		R47 Roscolux #47: Light Rose Purple Good for eerie or dramatic effects. Beautiful backlight color. (Transmission = 16%).
		R347 Roscolux #347: Belladonna Rose Powerful magenta-purple. Good effects filter for dance. (Transmission = 6%).
		R48 Roscolux #48: Rose Purple Pale evening color. Excellent for backlight. (Transmission = 16%).
		R348 Roscolux #348: Purple Jazz A dusky purple. Good for simulating purple neon or old night club atmosphere. (Transmission = 14%).
		R49 Roscolux #49: Medium Purple Darkest of the magenta purple range. (Transmission = 4%).
		R349 Roscolux #349: Fisher Fuchsia A medium fuchsia good for special effects. An interesting backlight or accent color. (Transmission = 11%).
		R50 Roscolux #50: Mauve Subdued sunset effect. Useful in backlights. To create seedy atmosphere. (Transmission = 14%).
		R51 Roscolux #51: Surprise Pink Touch of color when white light is not desirable. (Transmission = 54%).
		R351 Roscolux #351: Lavender Mist (Transmission = 61%).
		R52 Roscolux #52: Light Lavender Excellent for general area or border light washes. It is a basic followspot color. (Transmission = 26%).
		R53 Roscolux #53: Pale Lavender Use when a touch of color is needed. (Transmission = 64%).
		R353 Roscolux #353: Lilly Lavender Same intensity as 55 with more red content. (Transmission = 29%).
		R54 Roscolux #54: Special Lavender Same as 53, but warmer. Useful for beams of realistic moonlight. (Transmission = 50%).
		R55 Roscolux #55: Lilac Same as 53, but cooler. (Transmission = 37%).
		R355 Roscolux #355: Pale Violet A cool lavender which acts as a neutral in a three color area lighting system. Will work well as a wash for drops or set pieces. Tones the space. Effective as moonlight shadows. (Transmission = 20%).
		R56 Roscolux #56: Gypsy Lavender Highly saturated, good for side and backlighting and non-realistic effect. (Transmission = 4%).
		R356 Roscolux #356: Middle Lavender A lavender halfway between 52 and 57 in hue and value. Useful for general illumination and side-lighting. (Transmission = 27%).
		R57 Roscolux #57: Lavender Excellent backlight. Gives good visibility without destroying night illusions. (Transmission = 24%).
		R357 Roscolux #357: Royal Lavender A rich lavender which will enhance blue and red costumes and scenic pieces. Excellent for nightime scenes. Rich, vivid accents, good in backgrounds. (Transmission = 5%).
		R58 Roscolux #58: Deep Lavender Excellent back light. Enhances dimensionality. (Trans.= 10%). (Transmission = 10%).
		R358 Roscolux #358: Rose Indigo A warm, red purple that recalls the Jazz Age. Useful for creating saturated color effects in live performance situations-club and musical group lighting. (Transmission = 5%).
		R59 Roscolux #59: Indigo The original Congo Blue. A purple-blue, highly saturated, for modeling effects and non-realistic atmospheres. (Transmission = 2%).
		R359 Roscolux #359: Medium Violet Midnight and moonlight illusions. Enforces mysterious mood. Useful for evening cyc wash. (Transmission = 9%).
		R60 Roscolux #60: No Color Blue Helps maintain white light when dimmer is at low intensity. (Transmission = 62%).
		R360 Roscolux #360: Clearwater The slightest blue tint. Excellent for eliminating amber shift when lights are running low on a dimmer. Good for cool area light. (Transmission = 52%).
		R61 Roscolux #61: Mist Blue Excellent for general area washes. Very light cool tint of blue. (Transmission = 66%).
		R361 Roscolux #361: Hemsley Blue A sharp cold blue that stays clean when dimmed. (Transmission = 18%).
		R62 Roscolux #62: Booster Blue Helps maintain white light when dimmer is at low intensity. (Transmission = 54%).
		R362 Roscolux #362: Tipton Blue A soft clean blue. Good choice for cool area lighting. Can also be used to shift the amber of lamps running at low dimmer levels. (Transmission = 32%).
		R63 Roscolux #63: Pale Blue Good for creating an overcast look and feeling. (Transmission = 56%).
		R363 Roscolux #363: Aquamarine A pale blue-green color. Can be used for area lighting. A soft backlight color. (Transmission = 52%).
		R64 Roscolux #64: Light Steel Blue Useful for beams of realistic moonlight. (Transmission = 26%).
		R364 Roscolux #364: Blue Bell A clean light red blue. Creates naturalistic daylight fill color. Good cool area light. (Transmission = 32%).
		R65 Roscolux #65: Daylight Blue Useful for achieving depressed moods and dull skies. (Transmission = 35%).
		R365 Roscolux #365: Tharon Delft Blue Clean blue with more red than 364. A true color correction filter for film. Converts 3200°K to 5500°K. Good for area light. (Transmission = 36%).
		R66 Roscolux #66: Cool Blue A pale green shade of blue; good for area or general washes. Creates an icy feeling on stage. (Transmission = 67%).
		R366 Roscolux #366: Jordan Blue More green than 65. A crisp light blue-green. (Transmission = 32%).
		R67 Roscolux #67: Light Sky Blue Excellent sky color. Useful for cyc and border lights. (Transmission = 26%).
		R367 Roscolux #367: Slate Blue Clean medium blue. Good for sky color or moonlight. (Transmission = 20%).
		R68 Roscolux #68: Parry Sky Blue Excellent for early morning sky tones. Popular among designers for cyc and borders. (Transmission = 14%).
		R368 Roscolux #368: Winkler Blue A silvery blue, used for front light and moonlight. (Transmission = 16%).
		R69 Roscolux #69: Brilliant Blue Used for dramatic moonlight effects. (Transmission = 18%).
		R369 Roscolux #369: Tahitian Blue Slightly more green than 69. (Transmission = 22%).
		R70 Roscolux #70: Nile Blue Useful for very light midday skies. Occasionally used for general cool tint. (Transmission = 45%).
		R370 Roscolux #370: Italian Blue Good to create eerie and mysterious effects. Good for night time water effects. (Transmission = 31%).
		R71 Roscolux #71: Sea Blue Occasionally used for general cool tint and non-realistic washes. (Transmission = 30%).
		R371 Roscolux #371: Theatre Booster 1 Less red than 3202. (Transmission = 35%).
		R72 Roscolux #72: Azure Blue A clean slightly green blue. Good moonlight fill. (Transmission = 44%).
		R372 Roscolux #372: Theatre Booster 2 Slightly lighter and less red than 3204. (Transmission = 55%).
		R73 Roscolux #73: Peacock Blue Good for fantasy, moonlight and water effects. (Transmission = 28%).
		R373 Roscolux #373: Theatre Booster 3 Slightly lighter and less red than 3208. (Transmission = 72%).
		R74 Roscolux #74: Night Blue Fantasy moonlight. Crisp and beautiful. Popular as a backlight or sidelight in contrast to area light. (Transmission = 4%).
		R374 Roscolux #374: Sea Green For enhancing water scenes or deep sea environments. Greener than 73. (Transmission = 26%).
		R75 Roscolux #75: Twilight Blue Less green & cresper than 76. (Transmission = 11%).
		R375 Roscolux #375: Cerulean Blue A crisp, clean blue-green. Useful as a water effect or as a sidelight for dance. (Transmission = 32%).
		R76 Roscolux #76: Light Green Blue Distinctive greenish blues. Useful for romantic moonlight. (Transmission = 9%).
		R376 Roscolux #376: Bermuda Blue A soothing green blue. More blue than 76. A good conventional moonlight color. Interesting tonal color. (Transmission = 6%).
		R77 Roscolux #77: Green Blue Distinctive greenish blues. Useful for romantic moonlight. (Transmission = 9%).
		R377 Roscolux #377: Iris Purple Medium neutral lavendar. Good wash light. (Transmission = 11%).
		R78 Roscolux #78: Trudy Blue A rich clean red blue that warms to lavender when dimmed. (Transmission = 19%).
		R378 Roscolux #378: Alice Blue A rich clean red blue that warms to lavender when dimmed. (Transmission = 15%).
		R79 Roscolux #79: Bright Blue Cool clear bright blue. (Transmission = 8%).
		R80 Roscolux #80: Primary Blue Primary blue. For use with three color light primary system in cyc lighting. (Transmission = 9%).
		R81 Roscolux #81: Urban Blue Very cold brittle feeling. (Transmission = 10%).
		R381 Roscolux #381: Baldassari Blue Saturated color created for Lighting Designer Mike Baldassari - It's Double #3220 Double Blue (Transmission = 6%).
		R82 Roscolux #82: Surprise Blue Deep rich blue with slight amount of red. (Transmission = 6%).
		R382 Roscolux #382: Congo Blue Deep blue more saturated than Roscolux 385. Good for dark night skies or for a backlight color. A great color for rock and roll concert lighting. (Transmission = 1%).
		R83 Roscolux #83: Medium Blue Good for non-realistic night skies. (Transmission = 4%).
		R383 Roscolux #383: Sapphire Blue A deep romantic blue on the red side. (Transmission = 4%).
		R84 Roscolux #84: Zephyr Blue A true blue with excellent punch for bright skies. Lovely contrast to pale blues; adds coldness to shadows. (Transmission = 14%).
		R384 Roscolux #384: Midnight Blue An intense red-blue. Deeper than 83 with a little more red. (Transmission = 2%).
		R85 Roscolux #85: Deep Blue Deeply saturated blue with a hint of red. (Transmission = 3%).
		R385 Roscolux #385: Royal Blue Excellent for non-realistic backgrounds. A very saturated blue. Pronounced red content that will shift toward purple when dimmed. Low transmission but will offer a striking contrast when used as a background with lighter accents. (Transmission = 4%).
		R86 Roscolux #86: Pea Green Good for dense foliage and woodland effects. (Transmission = 56%).
		R386 Roscolux #386: Leaf Green (Transmission = 32%).
		R87 Roscolux #87: Pale Yellow Green Sunny spring mornings. (Transmission = 85%).
		R88 Roscolux #88: Light Green Sunny spring mornings. (Transmission = 82%).
		R388 Roscolux #388: Gaslight Green A yellow-green similar to the color emitted by gas lighting fixtures. Appropriate for period pieces: i.e. La Boheme, and useful for creating reflections from fields and meadows. (Transmission = 76%).
		R89 Roscolux #89: Moss Green Useful for mood, mystery and toning. (Transmission = 45%).
		R389 Roscolux #389: Chroma Green Suggests reflected light from dense foliage. A brilliant cyc lighting color which will work for chroma-keying effects in television production (Transmission = 40%).
		R90 Roscolux #90: Dark Yellow Green Alternate primary where higher transmission is desired. (Transmission = 13%).
		R91 Roscolux #91: Primary Green Primary green for three color primary system. (Transmission = 7%).
		R92 Roscolux #92: Turquoise Useful for mood of mystery and for toning scenery that has been spattered in blues. (Transmission = 59%).
		R392 Roscolux #392: Pacific Green Cyc Wash. Good Costume color. Magical on skin. (Transmission = 20%).
		R93 Roscolux #93: Blue Green Useful for mood of mystery and for toning scenery that has been spattered in blues. (Transmission = 35%).
		R393 Roscolux #393: Emerald Green An exagerrated green. Nearly double intensity as 93, less blue than 95. (Transmission = 14%).
		R94 Roscolux #94: Kelly Green Fantasy and unrealistic effects. Unflattering on skin tones. (Transmission = 25%).
		R95 Roscolux #95: Medium Blue Green Used on foliage in moonlight areas or for creating a mood of mystery. Good for toning scenery painted in blues, blue-greens and greens. (Transmission = 15%).
		R395 Roscolux #395: Teal Green A medium green-blue which can be used as a mystical special effect color. Also an interesting side or backlight color in concert lighting. (Transmission = 13%).
		R96 Roscolux #96: Lime To simulate unnatural sunlight before and after a rainstorm or tornado. (Transmission = 98%).
		R97 Roscolux #97: Light Grey Neutral greys to reduce intensity without affecting color temperature. (Transmission = 50%).
		R397 Roscolux #397: Pale Grey A half stop neutral density. (Transmission = 70%).
		R98 Roscolux #98: Medium Grey Helpful in balancing brightness of lamps of different wattage. (Transmission = 25%).
		R398 Roscolux #398: Neutral Grey A very neutral filter to balance brightness of lamps of different wattage without changing the color temperature. (Transmission = 40%).
		R99 Roscolux #99: Chocolate Warms light and reduces intensity. (Transmission = 35%).
		R100 Roscolux #100: Frost Frost. Changes ellipsoidal to fresnel beam pattern. (Transmission = ).
		R101 Roscolux #101: Light Frost Offers softened beam.Changes ellipsoidal into flood or scoop. (Transmission = ).
		R102 Roscolux #102: Light Tough Frost Changes ellipsoidal into flood or scoop. (Transmission = ).
		R103 Roscolux #103: Tough Frost Has twin qualities of wide diffusion and warm center. (Transmission = ).
		R104 Roscolux #104: Tough Silk Creates a slash of light for stretching light along stairs, tables, cycs, etc. Diffuses while maintaining compactness of beam. (Transmission = ).
		R105 Roscolux #105: Tough Spun Good on scoops for cyc lighting. (Transmission = ).
		R106 Roscolux #106: Light Tough Spun Removes lens shadows. (Transmission = ).
		R111 Roscolux #111: Tough Rolux Densest diffusion of the series. Spreads the light almost 1800. (Transmission = ).
		R112 Roscolux #112: Opal Tough Frost Lighter than 100-103. An excellent diffuser for HMI, CID and CSI sources softening the beam slightly while maintaining excellent transmission. (Transmission = ).
		R113 Roscolux #113: Matte Silk Good for striplights and specials. (Transmission = ).
		R114 Roscolux #114: Hamburg Frost A very light frost; good on followspots and PAR lamps. (Transmission = ).
		R115 Roscolux #115: Light Tough Rolux (Transmission = ).
		R116 Roscolux #116: Tough White Diffusion A range of diffusion materials adapted from cinematography-used for softening the shadow of the beam while maintaining a relatively high color temperature because of the use of ultra-white pigments in the manufacturing process. (Transmission = ).
		R117 Roscolux #117: Tough 1/2 White Diffusion A range of diffusion materials adapted from cinematography-used for softening the shadow of the beam while maintaining a relatively high color temperature because of the use of ultra-white pigments in the manufacturing process. (Transmission = ).
		R118 Roscolux #118: Tough 1/4 White Diffusion A range of diffusion materials adapted from cinematography-used for softening the shadow of the beam while maintaining a relatively high color temperature because of the use of ultra-white pigments in the manufacturing process. (Transmission = ).
		R119 Roscolux #119: Light Hamburg Frost Lighter than 114. Recommended for followspots and slight diffuse focus for ellipsoldals. (Transmission = ).
		R120 Roscolux #120: Red Diffusion Combine a color with Matte Diffusion. Aids in broad, even illumination of cycs and drops.
		R121 Roscolux #121: Blue Diffusion Combine a color with Matte Diffusion. Aids in broad, even illumination of cycs and drops.
		R122 Roscolux #122: Green Diffusion Combine a color with Matte Diffusion. Aids in broad, even illumination of cycs and drops.
		R124 Roscolux #124: Red Cyc Silk Combine a color with 104 Tough Silk.
		R125 Roscolux #125: Blue Cyc Silk Useful in border and striplights to prevent scalloping; helps illuminate cycs and drops.
		R126 Roscolux #126: Green Cyc Silk Useful in border and striplights to prevent scalloping; helps illuminate cycs and drops.
		R127 Roscolux #127: Amber Cyc Silk A secondary color combined with 104 Tough Silk.
		R132 Roscolux #132: Quarter Hamburg Frost (Transmission = ).
		R140 Roscolux #140: Subtle Hamburg Frost (Transmission = ).
		R160 Roscolux #160: Light Tough Silk Retains the diffusion properties of 104 but with less light loss. (Transmission = ).
		R162 Roscolux #162: Light Opal A lighter version on the popular 112 Opal Tough Frost. (Transmission = ).
		R163 Roscolux #163: Powder Frost A good medium cosmetic diffuser. (Transmission = ).
		R1991 Roscolux #1991: Super Heat Shield Unique polymer base which absorbs conducted heat, minimizing the damaging effects high temperature fixtures have on color filters and talent/scenery. (Transmission = ).
		R1995 Roscolux #1995: Thermashield Specially coated film reflects infrared energy to extend the life of colour in super hot lighting fixtures. (Transmission = ).
		R3114 Roscolux #3114: UV Filter A virtually transparent film, specially coated to absorb ultraviolet rays. (Transmission = 94%).