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Color Effect Filters
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A durable, heat resistant polycarbonate film used in the preparation of color scrollers to allow the passage from a color to clear.
(Transmission = 100%).
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Enhances fair skin tones. Suggests strong sunlight.
(Transmission = 56%).
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Good where a tint of color is needed. Excellent for natural skin tones.
(Transmission = 78%).
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Most saturated Bastard Amber.
(Transmission = 62%).
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Heavier Amber-pink tint. Useful to create warm sunlight.
(Transmission = 55%).
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Especially useful when cross lit with a cool color. Excellent for natural sunlight.
(Transmission = 66%).
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(Transmission = 79%).
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A clean pale pink; useful as a blush for skin tones.
(Transmission = 80%).
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(Transmission = 75%).
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Slightly off white. Good for interiors.
(Transmission = 92%).
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Double saturation of 06.
(Transmission = 96%).
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Deep straw. Good for late afternoon sunsets or firelight.
(Transmission = 74%).
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Yellow with green. Good for special effects. Unflattering in acting areas.
(Transmission = 92%).
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Pale yellow with slight red content. Useful for candle effects. Can be used for area lighting. For bright day feeling.
(Transmission = 82%).
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(Transmission = 85%).
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Much less green than in other straws. Suggests warm sunlight glow when contrasted with ambers and blues.
(Transmission = 78%).
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Vibrant Yellow. More red than 312. Less green than all other yellows.
(Transmission = 77%).
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Pale amber-higher red content than 12. Sunlight, accents, area lighting with caution to skin tones.
(Transmission = 68%).
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Warm golden amber with some green. Useful for special effects-candlelight, firelight.
(Transmission = 65%).
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(Transmission = 51%).
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(Transmission = 52%).
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Strong red amber. Excellent for fire effects.
(Transmission = 20%).
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Afternoon sunlight. Lamplight and candlelight. Tends to depress color pigment values.
(Transmission = 54%).
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Useful for amber cyc light and late sunsets.
(Transmission = 43%).
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Very useful as a backlight. Dramatic specials and firelight.
(Transmission = 26%).
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Provides a romantic sunlight through windows for evening effects.
(Transmission = 32%).
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Very deep amber. Red with a touch of blue.
(Transmission = 22%).
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Vibrant orange-red. Helps red and orange scenery pop.
(Transmission = 31%).
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Good for firelight or special effects. Use when red with higher yellow content is needed.
(Transmission = 14%).
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Vibrant red. Good alternative primary.
(Transmission = 12%).
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Good red primary for use with three-color light primary systems in cyclorama lighting, footlights, and border lights.
(Transmission = 4%).
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Excellent for general area washes. Gives overall warming effect to skin tones.
(Transmission = 44%).
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General wash. Good for follow spots.
(Transmission = 46%).
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Warmer and lighter than 31. Good for fair skin tones and to emphasize romance.
(Transmission = 68%).
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Deepest of the salmon pinks.
(Transmission = 28%).
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A tropical pink that is good for musicals or concert lighting. A good backlight color. Interesting accent color. Good for a splash of sunset color.
(Transmission = 38%).
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A pale almost colorless pink.
(Transmission = 65%).
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Similar to 33, but slightly deeper.
(Transmission = 66%).
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Good for general washes and cross lighting.
(Transmission = 46%).
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(Transmission = 48%).
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A cool pink excellent for washes and general illumination. A good follow spot color. A component of early morning sunrise.
(Transmission = 55%).
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Similar uses as 37, but with greater saturation.
(Transmission = 49%).
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A sultry, deep purple. Good for musicals or concert lighting. Excellent special effects color.
(Transmission = 10%).
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A deep, saturated pink created for musicals and specials. Excellent for down and backlighting.
(Transmission = 15%).
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Similar uses to 23 but a bluer color.
(Transmission = 34%).
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Extremely intense, hot pink. Produces strong washes of color for concert and dance. Combined with a complimentary color like turquoise, will create a dynamic, sculptured effect.
(Transmission = 16%).
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Rich, hot pink. Electric in effect with rich saturation.
(Transmission = 28%).
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A bright, dark pink excellent for musicals or rock and roll concert lighting. A good color for creating fake neon effects with fluorescent tubes.
(Transmission = 33%).
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A vibrant, almost fluorescent pink with a cool component. Traditionally important as a special effects color in the Broadway musical. Follow spot and dance applications as a modeling color.
(Transmission = 21%).
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Use on scenery and background effects. Adds tone and modeling to scenery.
(Transmission = 8%).
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Similar uses as 45 where more saturation is needed.
(Transmission = 6%).
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(Transmission = 22%).
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Good for eerie or dramatic effects. Beautiful backlight color.
(Transmission = 16%).
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Powerful magenta-purple. Good effects filter for dance.
(Transmission = 6%).
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Pale evening color. Excellent for backlight.
(Transmission = 16%).
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A dusky purple. Good for simulating purple neon or old night club atmosphere.
(Transmission = 14%).
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Darkest of the magenta purple range.
(Transmission = 4%).
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A medium fuchsia good for special effects. An interesting backlight or accent color.
(Transmission = 11%).
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(Transmission = 14%).
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(Transmission = 61%).
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Excellent for general area or border light washes. It is a basic followspot color.
(Transmission = 26%).
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Use when a touch of color is needed.
(Transmission = 64%).
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Same intensity as 55 with more red content.
(Transmission = 29%).
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Same as 53, but warmer. Useful for beams of realistic moonlight.
(Transmission = 50%).
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Same as 53, but cooler.
(Transmission = 37%).
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A cool lavender which acts as a neutral in a three color area lighting system. Will work well as a wash for drops or set pieces. Tones the space. Effective as moonlight shadows.
(Transmission = 20%).
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Highly saturated, good for side and backlighting and non-realistic effect.
(Transmission = 4%).
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A lavender halfway between 52 and 57 in hue and value. Useful for general illumination and side-lighting.
(Transmission = 27%).
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Excellent backlight. Gives good visibility without destroying night illusions.
(Transmission = 24%).
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A rich lavender which will enhance blue and red costumes and scenic pieces. Excellent for nightime scenes. Rich, vivid accents, good in backgrounds.
(Transmission = 5%).
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Excellent back light. Enhances dimensionality.
(Transmission = 10%).
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A warm, red purple that recalls the Jazz Age. Useful for creating saturated color effects in live performance situations-club and musical group lighting.
(Transmission = 5%).
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The original Congo Blue. A purple-blue, highly saturated, for modeling effects and non-realistic atmospheres.
(Transmission = 2%).
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Midnight and moonlight illusions. Enforces mysterious mood. Useful for evening cyc wash.
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Excellent for general area washes. Very light cool tint of blue.
(Transmission = 66%).
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A sharp cold blue that stays clean when dimmed.
(Transmission = 18%).
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Helps maintain white light when dimmer is at low intensity.
(Transmission = 54%).
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Good for creating an overcast look and feeling.
(Transmission = 56%).
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A pale blue-green color. Can be used for area lighting. A soft backlight color.
(Transmission = 52%).
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Useful for beams of realistic moonlight.
(Transmission = 26%).
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Useful for achieving depressed moods and dull skies.
(Transmission = 35%).
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A pale green shade of blue; good for area or general washes. Creates an icy feeling on stage.
(Transmission = 67%).
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More green than 65. A crisp light blue-green.
(Transmission = 32%).
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Excellent sky color. Useful for cyc and border lights.
(Transmission = 26%).
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Clean medium blue. Good for sky color or moonlight.
(Transmission = 20%).
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Excellent for early morning sky tones. Popular among designers for cyc and borders.
(Transmission = 14%).
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A silvery blue, used for front light and moonlight.
(Transmission = 16%).
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Used for dramatic moonlight effects.
(Transmission = 18%).
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Slightly more green than 69.
(Transmission = 22%).
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Useful for very light midday skies. Occasionally used for general cool tint.
(Transmission = 45%).
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Good to create eerie and mysterious effects. Good for night time water effects.
(Transmission = 31%).
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Occasionally used for general cool tint and non-realistic washes.
(Transmission = 30%).
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(Transmission = 35%).
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A clean slightly green blue. Good moonlight fill.
(Transmission = 44%).
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(Transmission = 55%).
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Good for fantasy, moonlight and water effects.
(Transmission = 28%).
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(Transmission = 72%).
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Fantasy moonlight. Crisp and beautiful. Popular as a backlight or sidelight in contrast to area light.
(Transmission = 4%).
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For enhancing water scenes or deep sea environments. Greener than 73.
(Transmission = 26%).
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Less green & cresper than 76.
(Transmission = 11%).
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Distinctive greenish blues. Useful for romantic moonlight.
(Transmission = 9%).
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Medium neutral lavendar. Good wash light.
(Transmission = 11%).
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A rich clean red blue that warms to lavender when dimmed.
(Transmission = 19%).
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Cool clear bright blue.
(Transmission = 8%).
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Primary blue. For use with three color light primary system in cyc lighting.
(Transmission = 9%).
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Very cold brittle feeling.
(Transmission = 10%).
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Deep rich blue with slight amount of red.
(Transmission = 6%).
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Deep blue more saturated than Roscolux 385. Good for dark night skies or for a backlight color. A great color for rock and roll concert lighting.
(Transmission = 56%).
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Good for non-realistic night skies.
(Transmission = 4%).
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A deep romantic blue on the red side.
(Transmission = 4%).
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A true blue with excellent punch for bright skies. Lovely contrast to pale blues; adds coldness to shadows.
(Transmission = 14%).
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An intense red-blue. Deeper than 83 with a little more red.
(Transmission = 2%).
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Deeply saturated blue with a hint of red.
(Transmission = 3%).
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Excellent for non-realistic backgrounds. A very saturated blue. Pronounced red content that will shift toward purple when dimmed. Low transmission but will offer a striking contrast when used as a background with lighter accents.
(Transmission = 4%).
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Good for dense foliage and woodland effects.
(Transmission = 56%).
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(Transmission = 32%).
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A yellow-green similar to the color emitted by gas lighting fixtures. Appropriate for period pieces: i.e. La Boheme, and useful for creating reflections from fields and meadows.
(Transmission = 76%).
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Useful for mood, mystery and toning.
(Transmission = 45%).
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Suggests reflected light from dense foliage. A brilliant cyc lighting color which will work for chroma-keying effects in television production.
(Transmission = 40%).
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Alternate primary where higher transmission is desired.
(Transmission = 13%).
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Primary green for three color primary system.
(Transmission = 7%).
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Cyc Wash. Good Costume color. Magical on skin.
(Transmission = 20%).
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Useful for mood of mystery and for toning scenery that has been spattered in blues.
(Transmission = 35%).
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An exagerrated green. Nearly double intensity as 93, less blue than 95.
(Transmission = 14%).
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Fantasy and unrealistic effects. Unflattering on skin tones.
(Transmission = 25%).
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Used on foliage in moonlight areas or for creating a mood of mystery. Good for toning scenery painted in blues, blue-greens and greens.
(Transmission = 15%).
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A medium green-blue which can be used as a mystical special effect color. Also an interesting side or backlight color in concert lighting.
(Transmission = 13%).
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To simulate unnatural sunlight before and after a rainstorm or tornado.
(Transmission = 98%).
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(Transmission = 40%).
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Diffusion Materials
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Frost. Changes ellipsoidal to fresnel beam pattern.
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Offers softened beam.
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Creates a slash of light for stretching light along stairs, tables, cycs, etc. Diffuses while maintaining compactness of beam.
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Good for striplights and specials.
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A very light frost; good on followspots and PAR lamps.
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Lighter than 114. Recommended for followspots and slight diffuse focus for ellipsoldals.
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Combine a color with Matte Diffusion. Aids in broad, even illumination of cycs and drops.
(Transmission = 12%).
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Combine a color with Matte Diffusion. Aids in broad, even illumination of cycs and drops.
(Transmission = 8%).
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Combine a color with Matte Diffusion. Aids in broad, even illumination of cycs and drops.
(Transmission = 13%).
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Combine a color with 104 Tough Silk.
(Transmission = 12%).
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Useful in border and striplights to prevent scalloping; helps illuminate cycs and drops.
(Transmission = 8%).
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Useful in border and striplights to prevent scalloping; helps illuminate cycs and drops.
(Transmission = 13%).
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A secondary color combined with 104 Tough Silk.
(Transmission = 32%).
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Retains the diffusion properties of 104 but with less light loss.
(Transmission = %).
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